The best David Bredin’s history movies

In December 1941, Czech soldier Jozef Gabčík and Jan Kubiš parachute into their occupied homeland to assassinate Nazi officer Reinhard Heydrich

When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.

TV post-war drama about a gruesome chapter of the Nazi era. Nadja Uhl reveals "wild" euthanasia in psychiatry. Oldenburg, 1948: For Margaret Oelkers (Uhl) and her two little sons, the pension is not enough as a war-wittwe behind and in front. But the authorities are working hard, not even because of their lack of credentials on the employment of their killed in the war. After an energetic appearance at the office, she is briefly put into the psychiatry of the Wehnen nursing home as a trainee. The consequences are bitter: one attests to their schizophrenia, takes away the children and brings them to the sister in the country. For a year, Margarete was kept in the hospital against her will, and forced to do so with electric shocks. After her release, she was placed under the guardianship of her neighbor Erich Windhorst (Martin Wuttke), a man with an SS past...