The best David Bredin’s drama movies

Miracle at St. Anna chronicles the story of four American soldiers who are members of the all-black 92nd "Buffalo Soldier" Division stationed in Tuscany, Italy during World War II.

When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.

TV post-war drama about a gruesome chapter of the Nazi era. Nadja Uhl reveals "wild" euthanasia in psychiatry. Oldenburg, 1948: For Margaret Oelkers (Uhl) and her two little sons, the pension is not enough as a war-wittwe behind and in front. But the authorities are working hard, not even because of their lack of credentials on the employment of their killed in the war. After an energetic appearance at the office, she is briefly put into the psychiatry of the Wehnen nursing home as a trainee. The consequences are bitter: one attests to their schizophrenia, takes away the children and brings them to the sister in the country. For a year, Margarete was kept in the hospital against her will, and forced to do so with electric shocks. After her release, she was placed under the guardianship of her neighbor Erich Windhorst (Martin Wuttke), a man with an SS past...

Hans calls his girlfriend Heinz, which tells you everything you need to know about their relationship. They're a typical couple who're stuck in a rut after eight years. Hans works at a copy shop and Heinz is an actress relegated to voicing a cartoon stoplight. On their anniversary, they go to the movies. It's a romance. But the spark on screen just doesn't strike them. When Hans gives Heinz's ex her phone number instead of putting up a fight over her, Heinz' alarm bells go off: How can this be love? They decided to make a list of everything than makes up a real love: Romance, desire, passion, jealousy, drama – deep feelings, in other words. Hans and Heinz methodically start checking off their list and realize: Real life is nothing like the movies.

Sin and Illy have a plan: on a Greek island they want to get 'clean' on their own. But the intention of the two girls fails already on the way to the airport. Finally Sin realizes she has to go the way out of heroin addiction all alone.