The best Daniel Toscan du Plantier’s movies
Today we present the best Daniel Toscan du Plantier’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Daniel Toscan du Plantier’s movies.
Les Miserables
7.5/10
In France during World War II, a poor and illiterate man, Henri Fortin (Jean-Paul Belmondo), is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.
Fear City: A Family-Style Comedy
7.5/10
A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
One Hundred and One Nights
6.5/10
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.
One 4 All
4.9/10
Olivia, Irina and Masha are improving their acting skills. They no longer believe in Prince Charming, and their career is waning. Olivia works at the front desk at the airport and offers a wonderful plan: he would do so that friends will be aboard the Paris - New York plane and will sit next to wealthy men. Their task is to seduce the rich and pull them out of money. But the fraudsters do not suspect that Comissaire Bayard and his young assistant are closely watching them...
Spoiled Children
6.4/10
Account of a film director's brief affair with a young neighbour, and his involvement in the social and political ramifications of a tenancy dispute in an apartment block. Filmmaker Bernard (Michel Piccoli), who is suffering a creative block, enters into an affair with the much-younger Anne (Christine Pascal).
Fellini: I'm a Born Liar
7/10
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.
