The best Daniel Russo’s movies on Google Play Movies

Daniel Russo

Daniel Russo

13/05/1948 (76 años)
If you love cinema, you will share this ranking of the best Daniel Russo’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Daniel Russo.

Fanny

Fanny
6.8/10
  • Genre: Drama
  • Release: 10/07/2013
  • Character: Félix Escartefigue
"Fanny" is the second part of the "Marseille trilogy", made by Marcel Pagnol with the generic name of "Marius, Fanny and César". Fanny falls in love and is abandoned by Marius. Now she discovers she is pregnant. Her mother and Marius's father, César, persuade her to accept the romantic advances of a much older man. To save face, Fanny accepts to marry Honoré Panisse, a rich merchant of the Vieux Port, 30 years her senior who will recognize her son.

Marius

Marius
6.7/10
  • Genre: ComedyDrama
  • Release: 09/07/2013
  • Character: Escartefigue
"Marius" takes place in Marseilles' Old Port, at the La Marine Bar, owned by César and his son Marius. Marius' biggest dream is to embark on one of the boats passing by his dad's bar and to set off to a faraway land. Fanny, a young and pretty seafood peddler, has secretly been in love with Marius since her childhood; Marius, never admitting it, has always loved Fanny. One day, a sailor drops by La Marine and offers him a job on an exploratory ship. Trying to hold him off and to make him jealous, Fanny confesses his love to him and provokes a fight between Marius and one of César's old friends, Panisse, a boat merchant, who despite his old age, has been courting Fanny for a while. Torn between the call of the sea and his love for her, Marius abandons his dream to be with Fanny who gives herself to him. As César and Honorine, Fanny's mother, are getting ready for the wedding, Marius changes his mind, drawn back to the call of the sea.

Dentro di te c'è la terra

Dentro di te c'è la terra
  • Release: 29/10/2019
The rocks and the sea while on vacation in the Aeolian islands, the suspended time of the Apulian countryside, the faraway perspective of a girl following her image on the social networks, the closeup perspective of a black immigrant welcomed into a home. After L’uomo doppio, an intimate diary written by Terlizzi as he films everyday, existential glimpses of life, as though they were the heart of a labyrinth without walls, in which the observer pauses, serene and slightly amazed.

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