The best Dagmar Koller’s music movies
We present our ranking of the best Dagmar Koller’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Dagmar Koller.
Gräfin Mariza
8.9/10
A Little Night Music
5.4/10
Fredrik Egerman is very happy in his marriage to a seventeen-year-old virgin, Anne. Only she's been a virgin for the whole eleven months of the marriage, and being a bit restless, Fredrik goes to see an old flame, the famous actress Desiree Armfeldt. Desiree is getting tired of her life, and is thinkin of settling down, and sets her sights on Fredrik, despite his marriage, and her own married lover Count Carl-Magnus. She gets her mother to invite the Egermans to her country estate for the weekend. But when Carl-Magnus and his wife Charlotte appear, too, things begin to get farcical (Send in the Clowns), and the night must smile for the third time before all the lovers are united.
Johann Strauss: The King Without a Crown
4.7/10
A biopic about Austrian composer Johann Strauß.
Wiener Blut
8.7/10
An operetta with music by Johann Strauss II. However, he did not see the premiere. Wiener Blut is set at the time of the Congress of Vienna, 1814-1815, an international conference that sought to settle Europe after the upheavals of the Napoleonic Wars, and follows a traditional operetta plot full of mistaken identities. Count Balduin Zedlau, ambassador of the tiny court of Reuss-Schleiz-Greiz, is posted to Vienna. Count Zedlau is married but a real Don Juan always looking for a new encounter. Many of Strauss' compositions are used in the operetta although he did not specifically composed them for the operetta.
Gypsy Princess
6.8/10
Kálmán Imre's beloved operetta comes to the screen in this comedy of music, marriage and class set in Budapest and Vienna before the outbreak of the First World War, recorded at the Budapest Opera in 1963.
The Land of Smiles
6.1/10
Lehar's The Land of Smiles touches the heart as it provides unforgetable melodies from start to finish. There are no weak links in the cast. Too often, we think of operetta as musical fluff, tired cliches, and obligatory dance scenes when things start slowing down. Not so in this classic operetta. We feel the pain of loss suffered by the two main characters, who make their roles natural and believable. There is more to this work than "Yours Is My Heart Alone." There is dramatic consistency and people you find yourself caring about as much as the music, the costumes, and the colorful sets.
