The best Costa-Gavras’s movies
If you love cinema, you will share this ranking of the best Costa-Gavras’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Costa-Gavras.
Spies Like Us
6.4/10
Two bumbling government employees think they are U.S. spies, only to discover that they are actually decoys for nuclear war.
Burke & Hare
6.1/10
Two 19th-century opportunists become serial killers so that they can maintain their profitable business supplying cadavers to an anatomist.
The Stupids
4.3/10
An incredibly dull-witted family unknowingly stumble upon an illegal weapons deal while on the trail of their "stolen" garbage.
Crítico
7.3/10
Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.
Magician: The Astonishing Life and Work of Orson Welles
6.9/10
The extraordinary life of Orson Welles (1915-1985), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.
The Extraordinary Voyage
7.4/10
An account of the extraordinary life of film pioneer Georges Méliès (1861-1938) and the amazing story of the copy in color of his masterpiece “A Trip to the Moon” (1902), unexpectedly found in Spain and restored thanks to the heroic efforts of a group of true cinema lovers.
Madame Rosa
7.2/10
Madame Rosa lives in a sixth-floor walkup in the Pigalle; she's a retired prostitute, Jewish and an Auschwitz survivor, a foster mom to children of other prostitutes. Momo is the oldest and her favorite, an Algerian lad whom she raises as a Muslim. He asks about his parents; she answers evasively. As she ages and takes fewer children, Momo must do more for her; as money is tight, he tries to earn pennies on the street with a puppet. He's a beautiful man-child, and Madame Rosa makes him promise never to sell himself or become a pimp. A film editor, Nadine, befriends him, and his father appears as well. Madame Rosa reaches her last days in fear of hospitals, and Momo must act.
Henri-Georges Clouzot's Inferno
7.4/10
In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.
Citizen Rosi
7.2/10
The narrative wanders through Rosi’s films, not in the order they were shot but following the chronology of the historical facts they deal with. The documentary therefore not only narrates Rosi’s work, but also portrays half a century of Italian history.
What is Cinema?
6.1/10
Using the words and ideas of great filmmakers, from archival interviews with Alfred Hitchcock and Robert Bresson to new interviews with Mike Leigh, David Lynch, and Jonas Mekas, Oscar-winning filmmaker Chuck Workman shows what these filmmakers and others do that can't be expressed in words - but only in cinema.
Armin Mueller-Stahl - Ein Gaukler in Hollywood
Henri Langlois vu par...
Thirteen filmmakers talk about Henri Langlois and their relationship with him.
Film, the Living Record of our Memory
7.8/10
Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.
Searching for Mr. Rugoff
7.5/10
The feature documentary Searching for Mr. Rugoff is the story of Donald Rugoff, who was the crazy genius behind Cinema 5, the mid-century theater chain and film distribution company. Rugoff was a difficult (some would say impossible) person but was also the man who kicked art films into the mainstream with outrageous marketing schemes and pure bluster. Rugoff's impact on cinema culture in the United States is inestimable, and his influence on the art film business-from the studio classics divisions to the independent film movement to the rise of the Weinsteins-is undeniable. Yet, mysteriously, Rugoff has become a virtually forgotten figure. The story is told through the eyes of former employee Ira Deutchman, who sets out to find the truth about the man who had such a major impact on his life, and to understand how such an important figure could have disappeared so completely.
The Méliès Mystery
7.5/10
A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.
You Speak of Prague: The Second Trial of Artur London
7.6/10
Artur London was arrested in 1951 in a Stalinist purge, imprisoned and tortured for two years and forced to confess in the Slansky Trial, one of the last Stalinist "show trials" in Eastern Europe. The documentary explores some of the reasons for the controversy aroused by Costa-Gavras' The Confession, which had been accused of being anti-communist, and it highlights the political importance of filmmaking which, by its nature, is a fiction intended for the general public.
Yves Montand, l'ombre au tableau
7.7/10
Looking for Athènes
7.4/10
Affection to the People
7.6/10
A documentary about cinema censorship during the dictatorship in Greece (1967- 1974), based on never-before-seen state archives. The film includes clips of films which were either censored or banned, newsreels of that era, interviews with famous directors and also secret documents from the reports of the Censorship Committee that are made public for the first time, portraying a revealing picture of the system’s control mechanisms and providing a fresco of that time.
Jean Gabin, une âme française
