The best Corinna Harfouch’s comedy movies

This is the politically incorrect third and final part of the now famously successful trilogy, where Mr. Müller and his problem kids Chantal, Danger and Co. once again take up arms against their sworn enemy, the German education system.

Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in tequila and decide to take one last trip to the sea. Drunk and still in pajamas they steal the first fancy car they find, a 60's Mercedes convertible. The car happens to belong to a bunch of gangsters, which immediately start to chase it, since it contains more than the pistol Martin finds in the glove box.

In order to save some kids who are about to die in a fire, Bibi, the daughter of a prestigious witch, manages to trigger a heavy rain with her powers. The head of all witches gives her an award called "Crystal Ball", reserved for older girls. German adventure film very much in line of Harry Potter, but in female version.

A man tours clubs around the globe with his manager and girlfriend. On the eve of their largest album release he is admitted to a psychiatric clinic after overdosing at a gig.

It's Lara's 60th birthday, and she has every reason to celebrate: this evening, her son Viktor will be giving the most important piano concert of his career. Lara was, after all, the one who'd mapped out and driven his musical career. Yet Viktor has been unreachable for weeks and nothing indicates that Lara will be welcome at his debut performance. Without further ado, she buys up all the remaining tickets and hands them out to everyone she meets. The more Lara strives to make the evening successful, however, the more events get out of control.

A killer for the Russian Mafia in Vienna wants to retire and write a book about his passion - cooking. The mafia godfather suspects treason.

Poor Bibi - due to her bad marks in maths she has to spend the whole summer in the boarding school of Altenberg to scrape through a series of exams - otherwise she'd stay down in school, being forced to repeat the year. No camping, no white-water rafting, no vacation at all. So it doesn't surprise anyone that the young witch is quite disgruntled when arriving at Altenberg Castle. Her roommate is a touchy unpleassant fashion victim and headmaster Quirin Bartels is so muddle-headed that he can't even remember the names of his students properly. But then Bibi makes friends with Elea, a girl wheelchair-bound since a terrible accident where she also lost her beloved parents. Now Bibi is determined to help the sensitive Elea, searching a way to heal her from her palsy legs.

Charlie & Louise – Das doppelte Lottchen is a German children's film directed by Joseph Vilsmaier in 1994, starring Corinna Harfouch. It is a film adaptation of the novel Das doppelte Lottchen by Erich Kästner.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

A couple of slackers find an antique dagger and manage to free the gorgeous female warrior was imprisoned in it by an evil spell. An evil sorcerer is not happy by this turn of events and determines to possess both the blade and the warrior through a sacrificial ceremony. The two heroes manage to rescue the damsel in distress and defeat the wizard and his minions by employing skills mastered through hours of video game play.

The recruiter Tom Moreno (Stephan Luca) are familiar with women and how they, after you won it for themselves, going on at the latest after the third time back to. As ELISA (Marleen Lohse), the new art director of his agency, doesn't want to exit on this scam, Tom falls into a crisis of meaning. But even his friends have to contend with their problems: Vince (Oliver Fleischer) finds his wife in Tom's bed. By Tom's mother (Corinna Harfouch), Luke (Johannes Allmayer) learns that sex is not a solution. Tom's roommate Paule (Anna Thalbach) fell into a tie holder (Michael Lott) and mutated by the buddy type to the Femme fatale. His Chief Rolf created him (Armin Rohde) also still, that the Agency is virtually broke. Tom starts for the first time, to reconsider his old proven lifestyle.

A comedy about aging, youth and other eternal truths. Of all days, precisely on her fiftieth birthday, Julia has to experience that age makes you invisible. Frustrated, she goes shopping and makes an acquaintance, spontaneously deciding to spend the evening with this stranger, rather than with the guests of her own birthday party. They wait for her in a restaurant, all dressed up and groomed, lively debating the years that have passed. The truths and wisdom of Julia's closest friends on aging and growing old are drowned increasingly in sufficient quantities of alcohol. In the mean time, on her eightieth birthday, Leonie, sulking over the loss of youth, is rebelling against her daughter, the senior citizen's home, conventions, and old age in general - and joyfully sabotaging the party in her honor.

A renowned actor named Otto is the epitome of the problematic but beloved ladies man. Even when drunk he still knows more about filmmaking than does the amateur who is directing him in his latest movie. But what should the unreliable star do when a local actor joins the crew as his understudy? Comic situations arise not only because of the well-known environment, but also from an inclination to authentically capture the various relationships.

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On an impulse, 60 year old Charlotte leaves her husband stranded at a gas station in the middle of nowhere. A deep and driven instinct has her setting off, away from her old mundane life as a grandmother, a mother, a wife, and towards a new and different life. Little does she know that her granddaughter, Jo, a wonderfully whimsical child, is hiding in the back of the car. Charlotte’s spontaneous escape triggers off a journey, not only for her and her granddaughter, but also for her husband Paul and daughter Alex. As Paul and Alex pursue Charlotte and Jo across the countryside, they stumble into their own mishaps, self discoveries and emotional confrontations.