The best Connie Gilchrist’s music movies
Today we present the best Connie Gilchrist’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Connie Gilchrist’s movies.
Tickle Me
5.8/10
A singing rodeo rider hires on at an expensive all-women dude ranch and beauty spa. He falls for a pretty fitness trainer who is constantly threatened by a gang who wants her late grandfather's cache of gold hidden in a ghost town.
Good News
6.7/10
At fictitious Tait University in the Roaring '20s, co-ed and school librarian Connie Lane falls for football hero Tommy Marlowe. Unfortunately, he has his eye on gold-digging vamp Pat McClellan. Tommy's grades start to slip, which keeps him from playing in the big game. Connie eventually finds out Tommy really loves her and devises a plan to win him back and to get him back on the field.
A Ticket to Tomahawk
6.1/10
Comedy western about a cowboy who is hired by a stagecoach boss to stop the railroad reaching his territory and putting him out of business. He uses everything from Indians to dance hall girls to try to thwart the plan. But the railroad workers, led by a female sharpshooter and an ambitious salesman, prove tough customers. Featuring a brief early appearance by Marilyn Monroe.
Here Comes the Groom
6.3/10
Foreign correspondent Pete Garvey has 5 days to win back his former fiancée, or he'll lose the orphans he adopted.
Music for Millions
6.7/10
Six-year-old "Mike" goes to live with her pregnant older sister, Babs, who plays string bass in José Iturbi's orchestra. And the orchestra is rapidly turning completely female, what with the draft. As the orchestra travels around the country, Babs' fellow orchestra members intercept and hide her War Office telegram to protect the baby.
Presenting Lily Mars
6.8/10
Starstruck Indiana small-town girl Lily is pestering theatrical producer John Thornway for a role but he is reluctant.
Say One for Me
5.5/10
Father Conroy has a parish which serves the acting and performance community. When one of his parishioners gets too sick to work, his daughter Holly finds a job working for a dance club of questionable character, which is run by Tony Vincent. Vincent never made the big time, and Father Conroy tries to look after Holly.
