The best Colleen Moore’s comedy movies
Today we present the best Colleen Moore’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Colleen Moore’s movies.
Ella Cinders
7/10
Poor Ella Cinders is much abused by her evil step-mother and step-sisters. When she wins a local beauty contest she jumps at the chance to get out of her dead-end life and go to Hollywood, where she is promised a job in the movies. When she arrives in Hollywood, she discovers that the contest was a scam and the job non-existent. But through pluck, luck, and talent, she makes it in the movies anyway, and finds true love.
Irene
7/10
Irene, a feisty Irish girl in Philadelphia, clashes with her family and walks out, heading to New York City to seek fame and fortune. She gets a job as a dressmaker's model and becomes involved with Donald, the scion of a wealthy family. Donald's mother doesn't approve of Irene and sets out to discredit her in Donald's eyes.
Oh Kay!
6.3/10
A silent film version of the famed Gershwin musical.
We Moderns
4.8/10
A 1925 film directed by John Francis Dillon.
Sally
7.6/10
Sally is a 1925 American silent romantic comedy film starring Colleen Moore.
His Nibs
6.4/10
Shenanigans at a small town movie theater.
Why Be Good?
7.2/10
A flapper unwittingly falls for the boss' son.
Come on Over
6.3/10
Shane O'Mealia leaves Ireland, promising to send for his sweetheart, Moyna. In the mean time the son of the old lady she lives with, takes them back to America without telling Shane, who then must explain a girl he's been seeing in New York.
Painted People
6.7/10
A 1924 film directed by Clarence G. Badger.
Synthetic Sin
7.3/10
A young woman impulsively marries a young playwright who whisks her away to New York promises her a role in his next production. Unfortunately the production is a disaster and her husband proclaims her unfit for the role. Rather then return home in defeat, she stays in New York and accidentally gets involved with some vicious gangsters.
It Must Be Love
Fernie Schmidt (Colleen Moore) lives with her parents in the rear of their delicatessen. The smells of the business - cheeses, sausages, garlic and pickled herrings - repulses Fernie, who dreams of leaving this environment and moving into a life that's more rarified. Her father, Pop Schmidt (Jean Hersholt) has plans for his daughter to marry Peter Halitovsky (Arthur Stone), a sausage salesman, but Fernie is repulsed by the idea. At a dance, Fernie meets Jack Dugan (Malcolm McGregor), who tells her that he is in stocks, a paper-counter, and she falls for him. Because of her rejection of her father's chosen candidate for matrimony, Pop puts Fernie out of the house.
So Long Letty
6/10
Harry Miller is a "natural-born mixer" while his wife Grace is a homebody, distressed by her husband's errant ways. Grace finds a kindred spirit in Tommy Robbins, who lives in an adjoining bungalow and whose wife Letty is devoted to the cabarets. Harry admires Letty as much as Tommy admires Grace, and suggests to his neighbor that they arrange an exchange of wives. The wives overhear their husbands' plotting to obtain divorces and, still in love with the men they married, conceive a counter-plan of a week of platonic trial marriages. Over the seven-day period, the wives make life so miserable for each other's husbands that the two men gladly return to their respective spouses.
The Perfect Flapper
A 1924 film directed by John Francis Dillon.
Dinty
6.9/10
Dinty is a newsboy whose fight to care for his ailing mother leads him into conflicts with the other boys on the street and then with drug smugglers in Chinatown.
A Roman Scandal
5.9/10
Mary refuses a marriage proposal, in order to devote her life to "the stage." Hilarity ensues.
Her Bridal Night-Mare
5.8/10
Mary, a bride-to-be, has a troublesome wedding day.
Her Wild Oat
7/10
In this feature comedy, silent film star Colleen Moore plays a woman who owns a small lunch wagon and falls for a duke’s son, played by Larry Kent, who is pretending to be his own chauffeur. With her savings, she pursues him to a resort hotel, only to be mistaken for a duchess.
