The best Colin Friels’s movies on Apple iTunes

Colin Friels

Colin Friels

25/09/1952 (71 años)
Today we present the best Colin Friels’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Colin Friels’s movies.

Dark City

Dark City
7.6/10
A man struggles with memories of his past, including a wife he cannot remember, in a nightmarish world with no sun and run by beings with telekinetic powers who seek the souls of humans.

Darkman

Darkman
6.4/10
Dr. Peyton Westlake is on the verge of realizing a major breakthrough in synthetic skin when his laboratory is destroyed by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with a former love.

Tomorrow, When the War Began

Tomorrow, When the War Began
6.1/10
Ellie Linton, a teen from an Australian coastal town, leads her friends on an excursion to a camp deep in the woods, dubbed "Hell." Upon their return, the youths find that their town has been overrun by an enemy army, and their friends and family have been imprisoned. When the hostile invaders become alerted to their presence, Ellie and her friends band together to escape -- and strike back against -- this mysterious enemy.

The Turning

The Turning
5.8/10
  • Genre: Drama
  • Release: 25/09/2013
  • Character: Narrator
Seventeen talented Australian directors from diverse artistic disciplines each create a chapter of the hauntingly beautiful novel by multi award-winning author Tim Winton. The linking and overlapping stories explore the extraordinary turning points in ordinary people’s lives in a stunning portrait of a small coastal community. As characters face second thoughts and regret, relationships irretrievably alter, resolves are made or broken, and lives change direction forever.

Cosi

Cosi
6.7/10
Lewis, a young amateur theater director, is offered a job with a governmental program for the rehabilitation of mentally ill patients in a Sydney institution. His project is overrun by one of the patients who wants to stage the opera Cosi Fan Tutte by Mozart despite the fact that none of the patients are able to sing and none of them speak Italian. A comedy of errors ensues, but one which unifies the patients and their director in unexpected ways.

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