The best Claudia Pandolfi’s movies

The story of Piero from childhood to fatherhood, set in the working-class neighborhood of Ovosodo, Livorno (Virzì's hometown).

The film tells the story of the Michelucci family, from the nineteen-seventies to the present day: the central character is the stunningly beautiful Anna, the lively, frivolous and sometimes embarrassing mother of Bruno and Valeria. Everything begins in the Summer of 1971, at the annual Summer beauty pageant held at Livorno’s most popular bathing establishment. Anna is unexpectedly crowned “Most Beautiful Mother”, unwittingly stirring the violent jealousy of her husband. From then on, chaos strikes the family and for Anna, Bruno and his sister Valeria, it is the start of an adventure that will only end thirty years later.

Three families go into crisis when their daughters get engaged. Three desperate fathers see their worst nightmare come true: they are convinced that their young daughters have all chosen a wrong boyfriend. Sure to act for their own good, they will join forces to get rid of the three suitors as soon as possible, putting a strain on the patience of their wives so much that they risk wrecking their own marriages. In the end, the good will win, but who will?

Paola, a modern woman used to the hardships of modern life, takes her chance to make things right for herself.

A twenty-seven year old guy from a peripheral Roman suburb lives a very normal but very repetitive life, but he also find his critical conscience in the form of an Armadillo with whom he has conversations bordering on paradoxical during which he updates him on what’s happening in the world.

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Every Thursday a group of ladies would gather to play cards and discuss their loves, lives and children while their daughters played in the next room. Thirty years later, the daughters meet at a funeral for one of the mothers. Like their mothers, they discuss their hopes, dreams and fears.

An socially inept dockworker (Fabio Volo), an unemployed 30-year-old teacher who works flipping pizzas (Piefrancesco Favino), a college professor nostalgic for the Marxist revolution (Giuseppe Battiston) and a man without a past who’s just been released from prison (Paolo Sassanelli) decide to kidnap a political minister and use the ransom money to compensate the family of a victim of an on-the-job accident. Motivated by disappointment, bitterness, rage, and the winds of anti-politics, they are also supremely clumsy. And, along with a journalist (Claudia Pandolfi) they involve in their scheme, they mistakenly grab an anonymous vice-minister (Giorgio Tirabassi) who turns out to be the only honest politician around.

Late '50s to early '60s, when the space war between the Soviet and US was fiercely going on, a fifteen-year-old member of the communist party, Luciana, develops her ideals while living with her bourgeois stepfather, and among male chauvinists in a communist group in Rome. Her only friend is her brother Arturo, who dreams of going to space but is unable to do so due to his epilepsy.

After meeting during their vacation, two young people with solitary lives suddenly come into a relationship that could benefit both of them.

Bologna, 1976. The paths of two aimless young friends intertwine with those of Radio Alice, a pirate radio politically aligned with the leftist student movement.