The best Claud Allister’s music movies
If you love cinema, you will share this ranking of the best Claud Allister’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Claud Allister.
Kiss Me Kate
7/10
Fred and Lilli are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play. A fight on the opening night threatens the production, as well as two thugs who have the mistaken idea that Fred owes their boss money and insist on staying next to him all night.
Monte Carlo
6.7/10
A countess fleeing her husband mistakes a count for her hairdresser at a Monte Carlo casino.
Blond Cheat
5.8/10
Socially prominent Michael Ashburn, chief assistant for a London loan broker makes a large loan during a closing time to a man for a pair of earrings. He is unaware that the collateral can not be removed from the ears in which they reside, so then Julie becomes part of the collateral.
Lillian Russell
6.4/10
Alice Faye plays the title role in this 1940 film biography of the early-20th-century stage star.
Reaching for the Moon
5.5/10
Wall Street wizard, Larry Day, new to the ways of love, is coached by his valet. He follows Vivian Benton on an ocean liner, where cocktails, laced with a "love potion," work their magic. He then loses his fortune in the market crash and feels he has also lost his girl.
Those Were the Days
6.6/10
A farce based on Arthur Wing Pinero's play 'The Magistrate' in which the son (John Mills) of a stern magistrate (Will Hay) visits a music hall against the wishes of his father. In true farcical style, the magistrate too ends up at the music hall, and before long all the characters are trying not to avoid each other... Mainly notable (a) because of its depiction of the music hall as seen by a generation which knew it intimately (b) because of its use of music hall acts of the time and (c) because it gave Will Hay his first film role.
Every Night at Eight
6.3/10
Three young girls working in an agency have build a singing trio. They want to "lease" the Dictaphone of their boss to make a record of their singing, but they are caught and fired. When they are not able to pay their rent any longer, they decide to try it on an amateur contest at a radio station.
