The best Ciarán Fitzgerald’s drama movies
We present our ranking of the best Ciarán Fitzgerald’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Ciarán Fitzgerald.
The Boxer
7/10
Nineteen-year-old Danny Flynn is imprisoned for his involvement with the I.R.A. in Belfast. He leaves behind his family and his sixteen-year-old girlfriend, Maggie Hamill. Fourteen years later, Danny is released from prison and returns to his old working class neighborhood to resume his life as a boxer.
The Canterville Ghost
6.2/10
When a teenaged girl moves to England, with her brothers and parents into the ancient Canterville Hall, she's not at all happy. Especially as there's a ghost and a mysterious re-appearing bloodstain on the hearth. She campaigns to go back home, and her dad, believing the ghost's pranks are Ginny's, is ready to send her back. But then Ginny actually meets the elusive 17th-century Sir Simon de Canterville (not to mention the cute teenaged duke next door), and she sets her hand to the task of freeing Sir Simon from his curse.
Some Mother's Son
7.2/10
Based on the true story of the 1981 hunger strike in a British prison, in which IRA prisoner Bobby Sands led a protest against the treatment of IRA prisoners as criminals rather than as prisoners of war. The film focuses on the mothers of two of the strikers, and their struggle to save the lives of their sons.
Into the West
7/10
Accused of a crime they didn't commit, two city kids and a magical horse are about to become the coolest outlaws ever to ride Into The West.
The Hanging Gale
7.9/10
In this historical miniseries created for BBC Northern Ireland, four brothers struggle to survive during the Irish potato famine of the 1840s while facing persecution from an agent (Michael Kitchen) of their indifferent English landlord. Looking on in horror as their primary food source dwindles, the Phelan brothers (portrayed by real-life siblings Joe, Mark, Paul and Stephen McGann) are torn between nonviolent protest and bloody revolt.
