The best Chuck Low’s movies

Chuck Low

Chuck Low

01/12/1937- 18/09/2017
If you love cinema, you will share this ranking of the best Chuck Low’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Chuck Low.
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GoodFellas

GoodFellas
8.7/10
  • Genre: CrimeDrama
  • Release: 12/09/1990
  • Character: Morris Kessler
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.

The King of Comedy

The King of Comedy
7.8/10
  • Genre: ComedyDrama
  • Release: 18/12/1982
  • Character: Man in Chinese Restaurant
Aspiring comic Rupert Pupkin attempts to achieve success in show business by stalking his idol, a late night talk-show host who craves his own privacy.

Sleepers

Sleepers
7.5/10
Two gangsters seek revenge on the state jail worker who during their stay at a youth prison sexually abused them. A sensational court hearing takes place to charge him for the crimes.

The Mission

The Mission
7.4/10
When a Spanish Jesuit goes into the South American wilderness to build a mission in the hope of converting the Indians of the region, a slave hunter is converted and joins his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portuguese aggressors.

Night and the City

Night and the City
5.8/10
  • Genre: Crime
  • Release: 11/10/1992
  • Character: Freddy DiMario
Looking to get rich quick, an unsuccessful lawyer uses dishonest means to try to become a boxing promoter.

Mistress

Mistress
5.4/10
  • Genre: Comedy
  • Release: 24/07/1992
  • Character: Benrie
A comedy about a screenwriter (Wuhl) whose old movie script is read by a producer (Landau) and the search for financial backers begins. But it seems that each money source (Aiello, DeNiro, Wallach) has his own mistress that he wants put into the film. Gradually, the screenwriter is forced to make changes to his script to accommodate these backers until he finally sees no semblance of his original ideas in the writing.

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