The best Chuck Berry’s documentary movies
Today we present the best Chuck Berry’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Chuck Berry’s movies.
The T.A.M.I. Show
8.2/10
Hailed by one music reviewer as "the grooviest, wildest, slickest hit ever to pound the screen," "The T.A.M.I. Show" is an unrelenting rock spectacular starring some of the greatest pop performers of the 60s. These top recording idols - representing the musical moods of London, Liverpool, Hollywood and Detroit - packed the Santa Monica Civic Auditorium with 2,600 screaming fans and virtually brought down the house. This is the cinematic record of that electrifying event.
Jimi Hendrix: Hear My Train a Comin'
7.6/10
An account of the short life of genius musician Jimi Hendrix (1942-70), probably the most talented and influential guitarist of the twentieth century: his humble beginnings in Seattle, his time in New York, his rise to fame in swinging London… Live fast, love hard, die young.
Jazz on a Summer's Day
7.9/10
Set at the Newport jazz festival in 1958, this documentary mixes images of water and the town with performers and audience. The film progresses from day to night and from improvisational music to Gospel. It's a concert film that suggests peace and leisure, jazz at a particular time and place.
Chuck Berry: Hail! Hail! Rock 'n' Roll
7.7/10
St. Louis, 1986. For Chuck Berry's 60th, Keith Richards assembles a pickup band of Robert Cray, Joey Spampinato, Eric Clapton, himself and long-time Berry pianist, Johnnie Johnson. Joined on stage by Etta James, Linda Ronstadt and Julian Lennon, Berry performs his classic rock songs. His abilities as a composer, lyricist, singer, musician and entertainer are on display and, in behind-the-scenes interviews, are discussed by Bo Diddley, Little Richard, Jerry Lee Lewis, Bruce Springstein, the Everly Brothers, Roy Orbison and others. There's even a rarity for Berry—a rehearsal. Archival footage from the early 1950s and a duet with John Lennon round out this portrait of a master.
John Lennon and the Plastic Ono Band: Sweet Toronto
Sweet Toronto is a documentary by D.A. Pennebaker of the Toronto Rock and Roll Revival, a one day festival held September 13, 1969 at Varsity Stadium on the campus of the University of Toronto and attended by some 20,000 persons. John Lennon played as part of the Plastic Ono Band, whose members also included Yoko Ono, Klaus Voorman, Alan White, and Eric Clapton. The video also features a selection of other acts: Jerry Lee Lewis, Little Richard, and Bo Diddley.
Let the Good Times Roll
7.5/10
Documentary of a 1950s rock and roll revival show, with split-screen editing to rival Woodstock.
Chuck Berry: Brown Eyed Handsome Man
"Chuck Berry-Brown Eyed Handsome Man" is a collection of performances by the greatest rock icons in history performing their favorite songs by their self-proclaimed hero Chuck Berry. For the first and possibly the only time ever you will see full performances from the legends of rock and roll honoring the man they agree started it all. The program is a historic record of the decades-long and continuing impact for the father of Rock 'N Roll. We are proud to present in just one program these superstars of Rock; The Beatles, the Rolling Stones, Bruce Springsteen, Tom Petty, Jimi Hendrix, Jeff Lynne, and more, all filmed at the heights of their own careers performing the work of Chuck Berry.
Bluesland: A Portrait in American Music
7.6/10
Blues as a genre shaped the sound of jazz in the early 20th century and directly led to the creation of rock 'n' roll in the '50s. The scales, chords, and progressions of blues as a musical form can be found in styles from jazz to rock to contemporary R&B.
Eddie Cochran & Friends: C'mon Everybody
No overview found.
The London Rock and Roll Show
7.8/10
Filmed record of a major rock and roll festival held at Wembley Stadium, London, in August 1972. London Rock and Roll Show begins with excerpts from numerous "warm-up" performers shown singing either covers of 1950s hits, or original tunes, including a performance by Screaming Lord Sutch that threatens to end the concert prematurely when he brings a stripper on stage. The main concert segment begins with Bo Diddley and continues with a string of other major performers including Jerry Lee Lewis, Little Richard, and Bill Haley and His Comets. The concert ends with an extended performance by Chuck Berry, who at the time was enjoying major chart success in Britain and the US with his "My Ding-a-Ling" (although he does not perform that song in this film). Mick Jagger also appears in several non-musical interludes in which he is interviewed about the performers.
