The best Christiane Tissot’s movies
We present our ranking of the best Christiane Tissot’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Christiane Tissot.
The French Detective
6.8/10
When political thugs murder an opponent's volunteer and also kill a cop, chief inspector Verjeat believes the politician who hired them is as guilty as the murderous goon. Verjeat's pursuit of the councilman, Lardatte, gets him a warning from his superiors. When he embarrasses Lardatte while disarming a hostage (the dead volunteer's father), Verjeat is told he's being transferred within a week. He speeds up his hunt for the goon and, with Lefévre, one of his young detectives, he engineers a complicated scheme to buy more time before the transfer. How should Verjeat play out his values of honor and duty?
Memoirs of a French Whore
6.4/10
A girl, Marie is led into prostitution by her pimp boyfriend, Gerard. She must not only give money to him but to the gangsters that explore him as well. Marie, together with a friend, Maloup, will try to become independent. They start to work the streets on their own but they will meet physical and sexual violence. They return to the brothels, and Marie goes back to her pimp, but Gerard has his caprices and wants more and more – he's in a spiral downwards and he's leading Marie with him. There's seems to be no escape.
F as in Fairbanks
6.7/10
André Fragman, nicknamed "Fairbanks" after his childhood idol by his film projectionist father, returns home from military service. He meets and falls in love with Marie, an aspiring actress who is rehearsing for a stage production of 'Alice in Wonderland'. All his attempts to find a job and a way out end up in failure, his friends Étienne and Jean-Pierre are powerless to help him, and the dreamy yet desperate hero loses his mind.
Gloria Mundi
5.9/10
Hamdias, a producer who's set out to break new boundaries, plans to finance a film about torture. According to him, torture, the clash of two or more people, is not only what substantiates basic human relationships but also love and politics. Unfortunately Hamdias dies in a freak accident and his project is grounded. After some time, Galai (Olga Karlatos), who should have been the main actress of Hamdias movie, sets out to complete the controversial project. As soon as filming starts again, the thin line that separates reality from a nightmarish obsession begins slowly to blur.
