The best Chris Sarandon’s movies on Google Play Movies
Today we present the best Chris Sarandon’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Chris Sarandon’s movies.
The Nightmare Before Christmas
7.9/10
Tired of scaring humans every October 31 with the same old bag of tricks, Jack Skellington, the spindly king of Halloween Town, kidnaps Santa Claus and plans to deliver shrunken heads and other ghoulish gifts to children on Christmas morning. But as Christmas approaches, Jack's rag-doll girlfriend, Sally, tries to foil his misguided plans.
Child's Play
6.7/10
A single mother gives her son a beloved doll for his birthday, only to discover that it is possessed by the soul of a serial killer.
Fright Night
7.1/10
Charley Brewster, a high school student, accidentally discovers the true and creepy nature of Jerry Dandrige, his dashing and enigmatic new neighbor; but no one seems willing to believe him.
Safe
6.5/10
After a former elite agent rescues a 12-year-old Chinese girl who's been abducted, they find themselves in the middle of a standoff between Triads, the Russian Mafia and high-level corrupt New York City politicians and police.
The Princess Bride
8/10
In this enchantingly cracked fairy tale, the beautiful Princess Buttercup and the dashing Westley must overcome staggering odds to find happiness amid six-fingered swordsmen, murderous princes, Sicilians and rodents of unusual size. But even death can't stop these true lovebirds from triumphing.
Just Cause
6.4/10
A Harvard professor is lured back into the courtroom after twenty-five years to take the case of a young black man condemned to death for the horrific murder of a child.
Dog Day Afternoon
8/10
Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturale. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.
Fright Night
6.4/10
A teenager suspects his new neighbour is a vampire. Unable to convince anyone, he tries to enlist the help of a self-proclaimed vampire hunter and magician in this remake of the 1985 comedy-horror classic.
Bordello of Blood
5.4/10
Private eye Rafe Guttman is hired by repressed, born-again Katherine to find her missing bad-boy brother. The trail leads him to a whorehouse run by a thousand-year-old vampire and secretly backed by Katherine's boss, televangelist Jimmy Current.
The Sentinel
6.3/10
A commitment-shy New York fashion model moves into an old brownstone apartment, meets her weird neighbours and discovers she’s sitting on the gateway to Hell.
Protocol
5.5/10
Sweet, unsophisticated Sunny is working as a cocktail waitress. She saves a visiting dignitary and as a reward she gets a top-office job in the Washington beehive. She has to fight against a devious protocol officer but with her charms, she saves the day when she gets involved in an arms deal with an Arab country
Perfume
3.6/10
A week in the lives of a group of models, photographers, agents, reporters, publicists and other characters during a wild modeling show in New York City.
I Smile Back
6.2/10
Laney is an attractive, intelligent suburban wife and devoted mother of two adorable children. She has the perfect husband who plays basketball with the kids in the driveway, a pristine house, and a shiny SUV for carting the children to their next activity. However, just beneath the façade lie depression and disillusionment that send her careening into a secret world of reckless compulsion. Only very real danger will force her to face the painful root of her destructiveness and its crumbling effect on those she loves.
Big Stone Gap
5.7/10
A story centered around a transitional point in the life of Ave Maria Mulligan, the heart of her community in the Appalachian Mountains of Virginia.
Lipstick
5.6/10
An aspiring avant-garde composer rapes a fashion model. When she takes him to court, she's slut-shamed by the defense and the man is exonerated. But justice will be served.
Multiple Sarcasms
4.7/10
Gabriel is a man who on the surface has it all-successful professional life as an architect, a beautiful wife, Annie, and a devoted young daughter, Elizabeth. But slowly it dawns on him that he is not really happy. Gabriel decides that he wants to write a play about the sorry state of his life. He quits his job, gets a pushy literary agent friend to represent him and starts writing. Although his marriage ends in a divorce, the play is success and although his life is different than it was, he is happier.
Slaves of New York
5.6/10
Meet the denizens of New York City: artists, prostitutes, saints, and seers. All are aspiring toward either fame or oblivion, and hoping for love and acceptance. Instead they find high rents, faithless partners, and dead-end careers.
Little Men
6.2/10
In this adaptation of the classic novel by Louisa May Alcott, two street kids from Boston find themselves at Plumfield, a rural boarding school run by Jo and her husband -- and they soon learn academic and life lessons they won't ever forget.
Let the Devil Wear Black
5/10
A man comes face-to-face with personal treachery after suspecting that his father may have been murdered.
Forced March
7/10
Originally shot in Hungary in 1988, this new version of FORCED MARCH is even more haunting, given the re-emergence of anti-Semitism in today’s Hungary. Chris Sarandon plays BEN KLINE, an American television star and a “bankable name” who is cast to portray the Hungarian writer Miklos Radnoti, whose journal of poems was found with his body, buried in one of Hungary’s mass graves. Kline is also the son of a Holocaust survivor and has long resented his father’s refusal to speak about the War. Now given the opportunity to play the role of a hero, but faced with the reality of a victim, the boundaries between truth and illusion begin to blur. Kline’s idea of resistance begins to clash with his director (John Seitz), who rejects his impulses to fight back as unrealistic. How will Kline fulfill his role as Radnoti, and what kind of legacy will he leave in the minds of the audience, who may come to know the Holocaust only by what they see in the movies?
