The best Chris Haywood’s horror movies

Chris Haywood

Chris Haywood

24/07/1948 (75 años)
If you love cinema, you will share this ranking of the best Chris Haywood’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Chris Haywood.

Boar

Boar
5.1/10
  • Genre: Horror
  • Release: 17/06/2018
  • Character: Jack
In the harsh, yet beautiful Australian outback lives a beast, an animal of staggering size, with a ruthless, driving need for blood and destruction. It cares for none, defends its territory with brutal force, and kills with a raw, animalistic savagery unlike any have seen before.

Razorback

Razorback
6/10
  • Genre: Horror
  • Release: 19/04/1984
  • Character: Benny Baker
In the Australian outback a vicious wild boar kills and causes havoc to a small community.

The Cars That Ate Paris

The Cars That Ate Paris
5.6/10
After the death of his brother on the road, unemployed and unstable drifter Arthur Waldo stays for a while in the rural Australian town of Paris as the guest of the mayor, who hopes he will become a permanent member of the Paris population. Arthur soon realizes the quaint hamlet has a sinister secret: they orchestrate car accidents and rob the victims. Survivors are brought to the local hospital, lobotomized, and used for a local doctor's experiments.

Savages Crossing

Savages Crossing
3.6/10
When a sudden flood traps a group of strangers in an outback roadhouse it becomes clear that the threat from within the group is far greater than from raging torrent outside.

The Tale of Ruby Rose

The Tale of Ruby Rose
6.7/10
The year is 1933. Ruby Rose (Melita Jurisic) is an Australian woman living with her Welsh immigrant husband Henry (Chris Haywood) in the Tasmanian highlands. Cut off from her superjudgmental family, for whom Henry had once worked as a humble farm hand, Ruby remains isolated in her tiny house. Superstitiously terrified of the dark, she begins developing her own folklore about the inky blackness that surrounds her each night; this folklore eventually develops into Ruby's own personal religion, created to ward off the evils that she imagines lurk in every corner. Only by venturing out of her house and rekindling her relationship with her embittered father is Ruby able to exorcise her fears. Almost hypnotic in its stark beauty, Tale of Ruby Rose is proof enough that writer/director Roger Scholes deserves to be far better known.

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