The best Chris Carter’s movies
We present our ranking of the best Chris Carter’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Chris Carter.
The X Files: I Want to Believe
5.9/10
Six years after the events of The X-Files series finale, former FBI agent Doctor Dana Scully is now a staff physician at Our Lady of Sorrows, a Catholic hospital, and treating a boy named Christian who has Sandhoff disease, a terminal brain condition. FBI agent Drummy arrives to ask Scully’s help in locating Fox Mulder, the fugitive former head of the X-Files division, and says they will call off its manhunt for him if he will help investigate the disappearances of several women, including young FBI agent Monica Banan. Mulder and Scully are called back to duty by the FBI when a former priest claims to be receiving psychic visions pertaining to a kidnapped agent.
Inside The X-Files
7.7/10
Inside the X-Files for a behind-the-scenes look at the show. Also included are interviews with the cast and creator Chris Carter, never before seen segments from the show, outtakes and a sneak preview of the upcoming feature film.
The Making of 'The X Files: Fight the Future'
7.3/10
An exploration of how completely different the television series is from the film. The cast and filmmakers underwent quite a change in order to create the film X Files, The (1998). We are also given a breakdown of how the Texas explosion was conceived and put together. This is a fairly enjoyable piece to watch, what with several interesting and funny interviews with the cast and crew.
Millennium After the Millennium
7.7/10
In 1996 Chris Carter followed up THE X-FILES with the darker, arguably more sophisticated series MILLENNIUM, a gothic horror show that pit actor Lance Henriksen against a thousand points of darkness. The series ended abruptly in 1999, but the darkness remains. Fans yearning for Frank Black’s heroic return can revisit past nightmares and see glimpses of a hopeful future in the new feature-length documentary, MILLENNIUM AFTER THE MILLENNIUM.
Other, Like Me
7.6/10
Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits - mostly working class, mostly self-educated - adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis Breyer P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.
