The best Chin Chun’s drama movies
Today we present the best Chin Chun’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Chin Chun’s movies.
The Cub Tiger from Kwang Tung
5.1/10
Hsiao Hu has been secretly training in martial arts, as his father (Tien Feng) has forbidden him. Later, some local store owners ask Ah to help protect them from a greedy Chinese extortion ring. Ah discovers that the crime lord behind the extortion had killed his father years before and is determined for revenge.
The New One-Armed Swordsman
7.2/10
Lei Li lost his right-arm in a sword duel with the master of a martial arts school, long ago. Now, he is able to defend himself well with just his left arm, and kung fu techniques. That he proves with just the help of his friend Chung-Chieng, when he crosses his path with a beautiful girl in need, Pao Chiao. Even against impossible odds, he will prove a great warrior.
The Crimson Charm
6.4/10
A noble swordsman and a one-armed swordswoman go up against the vicious Crimson Charm gang of thieves and cutthroats. The lovely and lethal Ivy Ling Po teams with the amazing Chang I for a classic tale of good versus evil in which the best man and one-armed woman wins.
The Emperor and His Brother
5.9/10
A young boy betrays his family who hides a refugee and tells the pursuer (Lo Lieh) where the hiding-place is - just because he wants a valuable telescope for reward. His father decides to kill the boy in order to restore the honor of the family.
The Water Margin
6.5/10
The corruption in the Sung Dynasty of 11th century China is so rampant that it inspires a band of Oriental Robin Hoods - the Honorable 108. Mountain bandits who nevertheless live by a scrupulous code of conduct, the Honorable 108 pledge to end the repression of the brutal overlords.
All Men Are Brothers
6.4/10
"All Men Are Brothers" is the sequel to "Water Margin" a.k.a. "Seven Blows of the Dragon" from 1972. At the beginning of "All Men Are Brothers", we learn that the emperor forgives the 108 Liangshan rebels since he finds they have the same enemies. The small army tries to conquer the city Hangchow, but is defeated. They send 7 spies to gather information about the city's defense before they attack a second time.
Chinatown Kid
6.6/10
Struggling to survive the murderous gang wars of Hong Kong, Tan Tung, a young martial arts street fighter, successfully takes on all challengers—until he runs up against the savage underworld empire of Hong Kong's Triad mafia. Escaping to San Francisco, he again tangles with criminal gangs, but this time fights his way to the top of the city's most feared gangster organization led by the White Dragon boss (Kuo Chui). At last, his rise to power leads to a final, murderous, gang-land war for control of all Chinatown. And in the end, Tan Tung must decide whether he will use his awesome skills to fight for evil...or for to help his best friend Yang Ching.
None But the Brave
5.9/10
Story is about how a revolutionist, played by Cheng Pei Pei, taking on the identity of a Captain's (Ou Wei) long lost sister who is actually dead. Cheng manages to fool the Captain for a while, but little by little, the Captain catches on to her and the revolutionist's plan to stop Chinese-Japanese relations.
The Iron Dragon Strikes Back
5.9/10
Li plays a kung-fu teacher who, while scuba diving with some students, discovers a cache of gold bars. The fact that these gold bars are emblazoned with “666″ could probably be seen as foreshadowing, but I don’t want to read too much into it. Li advises his buddies to drop the gold back into the lake, as it could mean trouble; perhaps this gold was dropped here for someone else to pick up. Of course, Li’s right, but feisty student Ah Kune (who later appeared in a few Alexander Liu films) goes back on his own and gets the bars. The crooked businessman whom was the gold’s original recipient sends waves of henchmen out to find who’s taken the gold, and so begins one of the most noirish and brutal kung-fu films of the 1970s.
The Kingdom and the Beauty
6.7/10
This is a musical about a young emperor who is lured via stories told to a place called Kiang-Nan by his royal tutor. The empress mother has the tutor go to Kiang-Nan to bring him back.
Raw Passions
5.8/10
Ivy Ling Po plays the dedicated wife of a man being blackmailed for an illicit love affair, who uncovers a pit of deceit, double-crosses, extortion and murder after murder.
The Enchanting Shadow
6.8/10
A young scholar spends the night in a creepy temple that is said to be haunted. He doesn't believe in the rumors, but after running into a Taoist swordsman, he meets a beautiful lady ghost. She is forced by an evil old witch to seduce young men, so the witch can kill them and drink their blood...
The Shadow Whip
6.4/10
This top ten box office hit reunites the star duo from Come Drink With Me in another classic action adventure. Cheng Pei-pei (Crouching Tiger, Hidden Dragon) radiates her trademark charm while wielding the deadly title weapon, which is implicated in multiple murders and a major heist. Whether single-handedly fighting sixteen bandits or avenging her father's brutal death, she demonstrates why she was Hong Kong's number one swordswoman -- and no slouch with the whip either!
A Cause to Kill
6.6/10
Ivy Ling Po, star of The Temple of the Red Lotus, tears up the screen as a jealous, murderous movie star, who, like seemingly all "film noir" vixens, wants to kill off her husband. While she's infuriated that the hitman she hires bungles the job, she's delighted that her husband is found guilty for the killer's "murder".
The Story of Sue San
7.2/10
This gripping story centers on the romance between Wang Chin Lung and Sue San. Although they may be perfectly matched when it comes to their love for one other, the two come from remarkably different social ranks. While Chin Lung is the son of a respected government official, Su San is a prostitute, albeit a famous one.
Too Late for Love
6.3/10
Su Fen, a young and frail girl, looked forward to her wedding with her fiancé, Li Kuo-liang. The happy couple's bliss was cut short when war broke out. Kuo-liang was summoned to fight at the front lines. In his absence, Su Fen discovered she had tuberculosis.
A Beggar's Daughter
This is an adaptation of the folk story, “Jin Yu Nu beats her heartless groom with a cane”. Jin Yu Nu, a beggar’s daughter, is a beautiful and kind girl. On a snowy day she saves the life of a poor scholar, Mo Ji. When Mo recovers, he marries Jin with love and gratitude. Mo wins the third place in the imperial examinations, but now he is looked down upon because his wife is a beggar's daughter. Extremely embarrassed and ashamed, Mo wants to divorce but has no excuse. Jin then jumps into the river and Mo has deep regrets but it is too late. Later, Mo’s senior Ambassador Lin appreciates his talents and wants to marry him his daughter. On the wedding night, the bride orders Mo to kneel in her room and beats him hard with a cane. Not until then does Mo know his bride is actually Jin, who has been saved by Lin. At the end, Lin knows Jin still loves Mo and helps the couple reunite.
Diau Charn
6.9/10
Based on Romance of the Three Kingdoms, Diau Charn is a sublime retelling of a familiar tale with iconic actress Linda Lin Dai (Lam Doi) in the titular role of Diau Charn, one of the four storied beauties of ancient China.
Back Door
6.4/10
A middle-aged couple adopt a young girl.
Fairy, Ghost, Vixen
6.6/10
FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.
