The best Chico Lourant’s drama movies

Chico Lourant

Chico Lourant

30/03/1929- 20/07/2015
If you love cinema, you will share this ranking of the best Chico Lourant’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Chico Lourant.

Gate of Flesh

Gate of Flesh
7.2/10
  • Genre: Drama
  • Release: 31/05/1964
  • Character: Black Pastor
In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.

The Warped Ones

The Warped Ones
6.9/10
  • Genre: CrimeDrama
  • Release: 03/09/1960
  • Character: Gill
A juvenile delinquent gets out of the pen and immediately embarks on a rampage of untethered anger, most of it directed at the girlfriend of the journalist who helped send him up.

Prophecies of Nostradamus

Prophecies of Nostradamus
6.3/10
Professor Nishiyama, after studying and interpreting the prophecies of Nostradamus, realizes that the end of the world is at hand. Unfortunately, nobody listens to him until it is too late. As the effects of mankind's tampering of the earth - radioactive smog clouds, hideously mutated animals, destruction of the ozone layer - rage out of control, the world leaders hurtle blindly toward the final confrontation. The film sparked controversy in Japan and was subsequently pulled out of circulation, with no official video release of the uncut film.

Black Sun

Black Sun
6.7/10
  • Genre: Drama
  • Release: 24/04/1964
  • Character: Gill
You’ve probably never seen anything quite like this manic, oddball, anti–buddy picture about a young, jazz-obsessed Japanese drifter and a black American GI on the lam in Tokyo. The two outsiders become outlaws, and Koreyoshi Kurahara depicts their growing bond as an alternately absurd and tragic culture clash.

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