The best Chiara Caselli’s movies

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a gay hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?

A beautiful Argentine activist receives preferential treatment from a man supposed to torture her.

An elderly and retired police detective and a young amateur sleuth team up to find a serial killer whom has resumed a killing spree in Turin, Italy after a 17-year hiatus.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, invites to an inner travel, as Antonioni says "towards the true image of that absolute and mysterious reality that nobody will ever see".

Grégoire Canvel has everything a man could want. A wife he loves, three delightful children and a stimulating job. He's a film producer. Discovering talented filmmakers and developing films that fit his conception of the cinema-free and true to life-is precisely his reason for living. Yet his prestigious production company, Moon Films, is on its last legs. Too many productions, too many risks, too many debts. Storm clouds are gathering. But Grégoire ploughs on at all costs. Where will his blind obstinacy lead him?

Nino and Caterina have been married for sixty-five years. On the death of Caterina , his daughter Elisabetta, trying to help her father to overcome the loss, hires an editor to write a book on their love story.

A promising law student from a good family is driven by a cool cardsharper into a downward spiral of criminality, thus discovering an evil part of himself he has never known.

Four romantic and lighthearted stories set in the countryside from four Italian directors.

A man with cognitive problems lives and works in a hospice. One day an American banker discovers that the man is his son.

A teenage nerd flipping through a comic sees parallels between the story and real life horrors in the village where he lives.He and a few friends seek to investigate.

Unused footage from Gus Van Sant's 1991 film My Own Private Idaho is re-contextualized in James Franco's tribute to River Phoenix.

Mato Grosso do Sul, Brazil, the present. When a young Guarani-Kaiowá woman commits suicide, Nádio leads his community to form a protest camp on the borders of a local farm that sits on their ancestral burial ground.

Pietro, Ivan and their friend Fabio, aka "Cosmic," live in the once-prosperous Po Valley. Post-crisis, this is a vast and alienating landscape of abandoned factories and petty crimes committed by the infamous Candelabra gang. The 19-year olds resist the authority of their parents and their teachers, and resign themselves to a listless fate of foreclosed opportunities. When news breaks of a large asteroid being monitored by the local astronomical station, the boys become convinced that it will collide with earth and destroy mankind.

In 1999, Argentina's peso craters. Ariel, a young man from Buenos Aires' Jewish community, deals with his mother's fatal illness, finds a job as a night shift surveillance camera monitor, and wonders when he'll discover sex. Santamaria, middle aged, loses his bank job and is dismissed by his wife; he finds stolen wallets in dumpsters to return to their owners. Ariel tells Santamaria's story to a TV reporter who profiles lives on the street. She's Laura, in a relationship with another woman, but perhaps available. Ariel desires Laura, while Santamaria courts Elsa, a washroom attendant who's husband is in prison. Christmas and Hanukkah approach; can anyone connect?