The best Chet Atkins’s movies
We present our ranking of the best Chet Atkins’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Chet Atkins.
Opry Video Classics: Hall of Fame
Back in 1961, the Country Music Association founded the Country Music Hall of Fame to recognize the top artists, songwriters, broadcasters and executives in the business. Hall of Fame set honors the illustrious Class of '73 - Chet Atkins and Patsy Cline - with Chet's instrumental hit Yakety Axe and Patsy's Imagine That. Johnny Cash appears twice, while Willie Nelson in Mr. Record Man shows his rarely seen pre-outlaw, clean-cut side.
Big Dreams & Broken Hearts: The Dottie West Story
6.5/10
Dottie West fought a difficult childhood to rise as one of country music's icons winning the first ever Grammy for Best Female Country Vocal Performance in 1965. She pushed the boundaries of country music and befriended some of their greatest musical artistes. Poor management besieged her with financial problems and she was on her way to fighting them through when she was tragically killed.
The Winding Stream
7.7/10
The story of the American music dynasty, the Carters and Cashes, and their decades-long influence on popular music.
In Dreams: The Roy Orbison Story
8/10
Roy Orbison - In Dreams is the ultimate exclusive music documentary of the life of Roy Orbison. It provides in-depth insights into his legendary career with classic performances, personal home movies and photos, location footage and interviews with the great and the humble that he touched with his music.
Nanci Griffith: Other Voices, Other Rooms
Nanci Griffith performs her Grammy Award winning album "Other Voices, Other Rooms" live at Paramount Theater in Austin, Texas on April 28th, 1993 with special guests including Emmylou Harris, Bob Dylan, Townes Van Zandt, Odetta, John Prine, Guy Clark, Iris DeMent, and many more.
The Secret Policeman’s Third Ball
6.3/10
When the British Amnesty shows finally resumed in 1987 after a six-year hiatus, the show format was retooled in an effort to take advantage of the growing number of rock musicians supporting Amnesty. Instead of the live show being primarily a comedy show with a few musical cameos, the event made a point of giving equal emphasis to the comedy and the music.
