The best Chen Shiang-Chyi’s drama movies
If you love cinema, you will share this ranking of the best Chen Shiang-Chyi’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Chen Shiang-Chyi.
A Brighter Summer Day
8.2/10
A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.
The Wayward Cloud
6.5/10
Hsiao-Kang, now working as an adult movie actor, meets Shiang-chyi once again. Meanwhile, the city of Taipei faces a water shortage that makes the sales of watermelons skyrocket.
Goodbye, Dragon Inn
7.1/10
On a dark, rainy night, a historic and regal Taipei cinema sees its final film: 1967 martial arts feature "Dragon Inn". As the film plays, the lives of the theater's various employees and patrons intersect, and two ghostly actors arrive to mourn the passing of an era.
The Clearstream Affair
6.6/10
Journalist Denis Robert sparked a storm in the world of European finance by denouncing the murky operations of banking firm Clearstream. His quest to reveal the truth behind a secret world of shadowy multinational banking puts him in contact with an ever-expanding anti-corruption investigation carried out by Judge Renaud Van Ruymbeke. Their paths will lead them to the heart of a political/financial intrigue, which will rock the foundations of Europe and the French government itself.
What Time Is It There?
7.3/10
A watch salesman meets a young woman soon leaving for Paris, they forge an instant connection. He changes all the clocks in Taipei to French time.
The River
7.2/10
A young man develops severe neck pain after swimming in a polluted river; his dysfunctional parents are unable to provide any relief for him or themselves.
Stray Dogs
6.9/10
An alcoholic man and his two young children barely survive in Taipei. They cross paths with a lonely grocery clerk who might help them make a better life.
Face
6/10
Hsiao-Kang, a Taiwanese film director, travels to the Louvre in Paris, France, to shoot a film that explores the Salomé myth.
I Don't Want to Sleep Alone
6.9/10
Forest fires burn in Sumatra; a smoke covers Kuala Lumpur. Grifters beat an immigrant day laborer and leave him on the streets. Rawang, a young man, finds him, carries him home, cares for him, and sleeps next to him. In a loft above lives a waitress. She sometimes provides care and attention. More violence seems a constant possibility. They find another man abandoned on the street, paralyzed. They carry him. While no one speaks to each other, sounds dominate: coughing, cooking, coupling, opening bags; music and news reports on a radio, the rattle and buzz of a restaurant. It's dark in the city at night. We see down hallways, through doors, down alleys. Who sleeps with whom?
The Skywalk Is Gone
6.8/10
A girl (Shiang-chyi Chen) looks for a street vendor in Taipei. But she can't find him since the Skywalk is Gone.
Soul
6.3/10
A-Chuan, a quiet 30-year-old man working as a chef in a Japanese restaurant, collapses suddenly and is rushed to a hospital. His colleagues send him to his father, who resides in the mountains. While there, A-Chuan becomes immobile: he won’t speak, eat or even go to the toilet on his own. One day his father returns from work only to find A-Chuan sitting in the corner with his daughter lying dead in a pool of blood. In an unfamiliar, eerily calm voice, A-Chuan says, “I saw this body was empty, so I moved in.
The Missing
6.2/10
A grandmother is looking for her grandson, a teenager for his grandfather.
The Receptionist
6.5/10
Weighed down by financial problems, Tina takes a job as a receptionist at an illegal massage parlour in London. As she slowly gets to know the women who work there, Tina is forced to question her values and morals. But how far will she be drawn into this world, and can she avoid losing herself in the process?
The Deserted
6.9/10
Tsai Ming-Liang, the artisan of cinematography approaches virtual reality, pushing the boundaries of VR film. The Deserted stripped away traditional film techniques and is presented in 360 degrees, like a theatre. The viewer is placed in the scene and is allowed to look freely at the construction of the environment. And immersed in the handcraft of the scenes.
