The best Charles Knapp’s movies

Private eye Jake Gittes lives off of the murky moral climate of sunbaked, pre-World War II Southern California. Hired by a beautiful socialite to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together.

In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.

1959. Friday nights. We time-travelled. Witnessed surprising twists. Entertained aliens. Experienced fear. And first journeyed to the "Twilight Zone" of Rod Serling's memorable TV series. And guided by four imaginative moviemakers, we travelled there again in 1983. Directors John Landis, Steven Spielberg, Joe Dante, and George Miller fashion stories based on or inspired by classic episodes. Landis weaves the tale of a bigot who gets a walloping dose of his own hatred. Spielberg takes over with a fable of senior citizens offered a magical rejuvenation. Dante serves up a terror trip with a child who uses his cartoon-inspired powers to enslave his family. Then fright goes aloft with Miller's finale about a neurotic passenger who sees a monster on the jetliner's wing. Or does he?

Kenny Rogers stars as Brady Hawkes, as the titular gambler, embarks on a journey to meet a son he never knew after the latter sends him a letter. Along the way, Brady meets Billy Montana (Bruce Boxleitner) and the two become friends. Billy (while trying to help Brady in his quest) fancies himself as a professional poker player on his own. Although Billy makes mistakes along the way (some of these include: trying to find a way to cheat or do some smooth talking), Brady makes sure that he stays on good behavior during a train ride to Yuma, CA. The duo help prostitute Jennie Reed (Lee Purcell) who has trouble with a train baron. At the end, Brady's son's stepfather (Clu Gulager) is confronted.

A "prequel" of sorts to "Butch Cassidy and the Sundance Kid," chronicling the two outlaws' lives in the years before the events portrayed in the Newman/Redford movie.

Mother, Jugs and Speed work for a ambulance company competing for a L.A. city contract.

When a prominent abortion clinic owner goes missing along with a string of other black community leaders, her singing daughter and her fellow female biker gang members investigate.