The best Charles Busch’s comedy movies
Today we present the best Charles Busch’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Charles Busch’s movies.
Addams Family Values
6.8/10
Siblings Wednesday and Pugsley Addams will stop at nothing to get rid of Pubert, the new baby boy adored by parents Gomez and Morticia. Things go from bad to worse when the new "black widow" nanny, Debbie Jellinsky, launches her plan to add Fester to her collection of dead husbands.
It Could Happen to You
6.4/10
Charlie Lang is a simple, kindhearted New York City cop. When he realizes he has no money to tip waitress Yvonne Biasi, Lang offers her half the winnings of his lottery ticket. Amazingly, the ticket happens to be a winner, in the sum of $4 million. True to his word, Lang proceeds to share the prize money with Biasi, which infuriates his greedy wife, Muriel. Not content with the arrangement, Muriel begins scheming to take all the money.
Psycho Beach Party
6/10
Spoof of 1960's Beach Party/Gidget surfing movies mixed with slasher horror films. A not-so-innocent girl in 1960's Malibu becomes the first girl surfer at Malibu Beach, only she suffers from dissociative identity disorder and occasionally her alter ego, a sexually aggressive, foul-speaking girl, comes out. During her "episodes" several beach goers are found murdered.
Die, Mommie, Die!
6.4/10
You slipped into my life as easily as vermouth into a glass of gin, purrs reclusive singing star Angela Arden. Arden is not only haunted by a secret, she's treated like dirt by her louse of a husband, her snoopy maid, and her petulant daughter. Only her mentally defective son and a well-endowed gigolo treat her with love and affection. Is it any wonder she takes drastic action to improve her life?
The Sixth Reel
6.4/10
When the death of a close friend unearths the long-thought lost final reel of a classic Tod Browning horror film, Jimmy and his cohorts each concoct underhanded schemes involving false romances, drag personas….and maybe vampires?…to cash in on a big sale of the film. But can the urge to bring the moviegoing community together with this lost classic prevail over the desire to get rich quick?
