The best Cecilia Roth’s movies

Buenos Aires, Argentina, 1971. Carlos Robledo Puch is a 19-year-old boy with an angelic face, but a vocational thief as well, who acts ruthlessly, without remorse. When he meets Ramón, they follow together a dark path of crime and death.

A single mother in Madrid sees her only son die on his birthday as he runs to seek an actress' autograph. Beside herself with grief, she returns to Barcelona to tell the boy's father about the death of the son he never knew he had.

The film is an ensemble comedy written and directed by Pedro Almodóvar. When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

After a young heiress is assaulted by a policeman, she seeks revenge by befriending the policeman’s mousy wife and introducing her to her circle of outrageous punk friends.

A camp melodrama/comedy about Sexilia (a nymphomaniac), Sadec (a gay Islamic terrorist), Riza Niro (the son of the emperor of Tiran), and Queti (the daughter of a dry-cleaner).

After her drug pusher boyfriend overdoses on heroin, a cabaret singer finds refuge from the authorities in a convent for fallen women.

When her son is accused of raping and trying to murder his ex-wife, Alicia embarks on a journey that will change her life forever.

A henpecked housewife ekes out a meager existence, surrounded by a host of colorful characters: her ungrateful husband, her delinquent sons, her headstrong mother-in-law, and her sex worker neighbor, among others.

José Sirgado is a low-budget filmmaker whose heroin addiction distorts his perspective of the real world. Although he is a depressed and unstable individual, his mood improves when he receives the mysterious films of Pedro, with whom he shares his passion for cinema.

Angelo Russo, a sixteen year-old girl, is found dead in a river, having been fatally violated with a large blunt instrument. Inspector Di Salvo is assigned to the case and focuses his investigations on St. Theresa's, the exclusive school where Angelo boarded. Three of the murdered girl's classmates, Franca, Paola and Virgina (who call themselves "The Inseparables"), receive threatening poems from an individual using the name "Nemesis". Bizarre "accidents" start to befall the girls: Franca is injured when someone causes her horse to bolt and Virgina nearly breaks her neck on marbles left at the top of a staircase. But Di Salvo is determined to find the killer, even if it means using unorthodox methods. He is aided by Angelo Russo's little sister Emily, whose helpful clues lead to a boutique owned by a dubious character and a vice ring where "rich influential men pay well for teenage favours" ...

An emotionally distant father attempts to reconnect with the son he abandoned. After his estranged son (Juan Diego Botto) tries to commit suicide, Argentine expat Martín (Federico Luppi) brings the troubled teen to live with him in Spain. But though Martín tries to reach out to his son, he's unable to bond with anyone in his life -- including his much-younger girlfriend

Diego is a doctor who has fallen in love with a married man with a son. Against the advice of his boss and best friend, he continues his affair with Alberto. The consequences of this affair profoundly alter not only the two men's lives, but also that of Alberto's wife.

Children come to a hospital to visit their dying father they haven't seen for 8 years. They try to recover their relationships before he dies.

The movie shows us how life was in Argentina for dissident people, in the seventies, under the military government.

Inés works as a dubbing actress and sings in a choir in Buenos Aires. While on an idyllic trip she suffers a traumatic episode that she can’t recover from. She has trouble sleeping and experiences very vivid nightmares as strange sounds begin to emerge from inside her. Awake, Inés feels suddenly surrounded by people that seem to come from her dreams.

A viceroy and an archbishop take their posts in Mexico. A local nun, Sor Juana Inés de la Cruz (1651-1695), intrigues them. The viceroy and his wife find her brilliant and fascinating. The prelate finds her a symbol of European laxity. He engineers the election of a new abbess, severe and ascetic. The virreina visits Sor Juana often and inspires her to write passionate poetry that the archbishop finds scandalous. The viceroy protects her. After he is replaced and returns to Spain with his wife, Sor Juana faces envy and retribution. A bishop betrays her, her confessor humbles her. Plague, a tribunal, and her confession as "the worst of all" end the great poet's life.