The best Cécile Rebboah’s movies
If you love cinema, you will share this ranking of the best Cécile Rebboah’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Cécile Rebboah.
Miss
6.4/10
A young man seeking his sexual identity decides to take part in the Miss France beauty pageant.
Night Shift
5.4/10
Three Parisian police officers are charged with driving a stranger back to the border. However, Virginie realizes their prisoner will most likely be killed upon return to his country and so goes about attempting to convince her fellow officers to release him.
The Gilded Cage
7.2/10
In the beautiful area of Paris, Maria and José Ribeiro lived for almost thirty years on the ground floor of a Haussmann building, in their dear little lodge.
Back to Mom's
5.7/10
At 40, Stephanie loses her job and is forced to move back in with her mother. She is welcomed with open arms to the joys of overheated apartment, Francis Cabrel playing on loop, Scrabble games and precious motherly advice on how to behave at the table and live her life.
Reinventing Marvin
6.9/10
Unable to fit in at school, Marvin's life was changed forever when he discovered his passion for the theatre. With no support from his family, Marvin ran away from home to chase his dreams of becoming an actor. As an adult, he struggles to write and perform a one-man theatrical show about his childhood.
Crush in Jaipur
5.5/10
A light hearted romantic-road comedy produced by Big Band Story in association with the French TV network TF1. The film had its world premiere in Festival de la Fiction TV, La Rochelle. The film stars popular French TV stars Rayane Bensetti, Lucie Lucas, Cécile Rebboah & Xavier Robic.
Après moi le bonheur
6.9/10
A dying woman is fighting to choose a new family to keep her four children together, after she's gone.
Tu es mon fils
6.6/10
The discovery of a lifeless body triggers a mother’s murder investigation in this gripping French thriller. Directed by Didier Le Pecheur.
Louise Wimmer
6.5/10
The middle-aged titular heroine (Masiero) of this bare-bones, Dardenne-esque debut has certainly fallen on hard times: Living between her car and a storage shed, working a part-time job as a hotel chambermaid, and trying against all odds to obtain public housing, Louise scrapes by on a day-to-day subsistence that’s only a few Euros away from skid row.
La maison
6.1/10
Malo has separated from his wife and a divorce is in the works. His children leave with his wife on holiday, and he is lonely and depressed. His friend Rémi drags him to a party in the country, and driving back they see by chance a notice of a house being sold at auction by creditors. The low reserve price surprises them and they go round to have a look. Finding the door open, Malo picks up a letter from a little girl to her father saying she misses him - moved by the resonance with his own daughter, Malo accidentally takes the note with him when they leave in a hurry. He then resolves to return the note to the now grown-up little girl Cloé, but of course it's awkward to explain how he got it. He learns that she really doesn't want to sell the house, which is all that remains of her childhood. The relationship between them develops, and emotions run high at the auction. Ultimately the film explores whether Malo can give both or either Cloé and his daughter what they want/need,
Jusqu'à l'enfer
6.2/10
Le Café du pont
4.8/10
During the war, on the banks of the Garonne, there is a café, the Café du Pont, where workers and sailors gather. Ten-year-old Pierrot's parents dedicate all their time and energy to the place. The German Occupation imposes restrictions and fear, but Pierrot knows that his father discreetly carries out brave actions and that his mother, both strong and fragile, knows how to settle any conflict - in her own way.
How Mom Turned to Armed Robbery
6.1/10
Despite her best intentions and hard work, a single mom with two sons just can't make ends meet and is forced to depend upon credit just to get by. Desperate, she can see only one solution left to save her family: stage a hold-up.
