The best Catherine Rouvel’s comedy movies
We present our ranking of the best Catherine Rouvel’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Catherine Rouvel.
Va Savoir (Who Knows?)
6.9/10
Quick-witted, well-read cultured types revolve around each other in a delightful potpourri of theatre, romanticism and theft.
I Miss Sonia Henie
5.5/10
One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for each filmmaker was to keep each short under three minutes, to set it in one hotel room, and to include the sentence “I miss Sonja Henie." This experimental film was shot over a single night at the international film festival FEST in Beograd in 1971.
Mr. Freedom
6.4/10
A pro-America superhero destroys France to prevent Communists from taking over.
Picnic on the Grass
6.5/10
Etienne Alexis, a candidate for president of the new Europe, is a scientist promoting artificial insemination for social betterment and therapy to eliminate passion. To celebrate his engagement to a cousin, he hosts an aseptic picnic, where mother nature asserts herself. A shepherd's flute conjures a windstorm that throws Alexis together with the luscious Nénette, a farm lass who wants to have a baby but is unimpressed with men.
Mont-Dragon
5.8/10
Because he has seduced Germaine de Boismenil, Georges Dormont is thrown out of the army by the colonel and husband of the beautiful. After the death of the Count of Boismenil, Dormont arrived at the castle of the widow with the firm intention of taking revenge. From the outset, he seduces Pierrette, the servant, revives the heart of Germaine, having gotten an appointment with the widow, he makes her naked, humiliates and leaves her. Witness of the scene, Martha, the proud orphan, throws herself into the arms of Gaston, faithful order of the colonel, to avenge her mother. George soon flouted their feelings. He then forces Germaine to reveal his attachment to Pierrette and causes a beautiful scandal.
Black and White in Color
6.7/10
French colonists in Africa, several months behind in the news, find themselves at war with their German neighbors. Deciding that they must do their proper duty and fight the Germans, they promptly conscript the local native population. Issuing them boots and rifles, the French attempt to make "proper" soldiers out of the Africans. A young, idealistic French geographer seems to be the only rational person in the town, and he takes over control of the "war" after several bungles on the part of the others.
The Diary of an Innocent Boy
6.4/10
Set in 18th century France, a naive 17-year-old orphan named Benjamin is taken in by his wealthy aunt, the Countess de Valandry. There, he is seduced by a variety of women, including a few flirtatious maidservants and neighboring countesses who all want to be Benjamin's "first".
Chobizenesse
5.7/10
Clement Mastard is the head of a leading journal dedicated to extravagant vaudeville. An unexpected contract requires him to reconnect with his former headliner Celia Bergson part to try to avant-garde theater. It is through this that he met Johann Sebastian Bloch, misunderstood musician who cause the loss but the side which Mastard, the man without scruples, to humanize and eventually produce a real masterpiece, the Missa Solemnis
L'Heptaméron (Joyeux compères)
3.2/10
The Buddies
6.2/10
Les grands moyens
6.6/10
The sweet elderly aunt and her two nieces survive the vendetta killing of their whole family because they are out picking flowers at the time. Undaunted, the aunt, a tough old Corsican, tracks down and kills all but one of the men who wiped out her kinfolk.
The Lovers of the France
4.4/10
Seeing an opportunity to make a financial recovery for the family, a nobleman attempts to wed his son to his wealthy friend's daughter. His plan is to send the boy for a cruise on the SS France with the prospective female. Upon arriving to meet the lovely girl, the young man switches places with his valet. Unbeknownst to him, however, is the fact that the girl has pulled a similar deception. Though Jean-Marc Ripert is responsible for much of the cinematography in this New Wave comedy, it is Francois Reichenbach who handled the camera for many of the ocean-liner scenes.
Louise... l'insoumise
6.1/10
While watching the others on her TV screen, Louise becomes a rebellious girl.
