The best Catherine Hiegel’s comedy movies

After learning of her husband's infidelities, a housewife invites an itinerant lesbian to move in with them. None of their lives will ever be the same again.

Two babies are switched at birth. When the mistake is discovered 12 years later, it leads to complications in the lives of both families. One family is affluent, with dutiful and (apparently) contented children. The other family is poor, with rambunctious (even delinquent) children, often hungry, but with lots of laughter in the house.

Simon Eskenazy is a gay Parisian clarinet player who lives his single life to the fullest. One day, he receives a very tempting offer from his homophobic uncle, looking to continue the family legacy – if he gets married and has a child, he will receive ten million francs and inherit his uncle's luxurious mansion. After meeting Rosalie Baumann at his cousin David's wedding, and with some convincing on his mother's part, Simon sees an opportunity to fulfill his uncle's wishes and the pair go ahead and get married, but not before traveling to New York to meet Rosalie's Orthodox Jewish family. As Simon tries to develop real feelings for Rosalie, he struggles with his feelings for his newlywed cousin David.

He had opened his Great Restaurant twice, in 2010 and 2011, as part of an entertainment broadcast on France 2. Pierre Palmade “reopens it after work” in the form of a fiction offered by M6. Exit the brewery. The artist has chosen to shoot his film at the Froufrou, the restaurant at the Théâtre Édouard-VII, in Paris, a chic establishment with rococo decor, more solemn and therefore more appropriate to important moments in life, to his big announcements that make the subject of a series of sketches. They are interpreted by a cast of stars just as prestigious as that of his comrade Muriel Robin a few weeks ago in I Love you coiffure , on TF1. As a common thread, Pierre Palmade in the role of the host busy satisfying his customers, while ensuring that his mother (Marthe Villalonga), his competitor (Florence Foresti) and her cook husband (Jean Leduc) do not transform the evening in disaster.

A father arrives at his son's house one evening. They begin talking about women, love, relationships and things turn awkward fast.

This bright domestic drama captures a moment in time when, for a large number of idealistic and grateful French men and women, the promise of Russian communism was bright, and everything Russian was a source of joy and amazement. In the story, Irene was rescued from Auschwitz by soldiers from the U.S.S.R., and since that time she has enthusiatically considered Russia to be the source of hope in the world. Her more pragmatic husband has, by 1958, grown somewhat weary of her enthusiasm, which has led her to decorate their apartment with anything Russian she can get her hands on. Matters come to a head when she is befriended by three members of the Red Army Choir during their tour of Paris.

A clarinetist is trying to finish his record when his wife and ten year old son reappear in his life. His 10-year-old son whom he has never seen, and Naim, a young Muslim transvestite who will change his life ...

Le Bourgeois gentilhomme satirizes attempts at social climbing and the bourgeois personality, poking fun both at the vulgar, pretentious middle-class and the vain, snobbish aristocracy. The title is meant as an oxymoron: in Molière's France, a "gentleman" was by definition nobly born, and thus there could be no such thing as a bourgeois gentleman.