The best Catherine Frot’s crime movies

Catherine Frot

Catherine Frot

01/05/1956 (68 años)
If you love cinema, you will share this ranking of the best Catherine Frot’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Catherine Frot.

Crime Is Our Business

Crime Is Our Business
6/10
Loosely based on "4.50 from Paddington" by Agatha Christie.

Partners in Crime

Partners in Crime
4.4/10
Prudence and Bélisaire Beresford have decided to take things easy. But when a rich Russian heiress disappears, Prudence can't resist and Bélisaire is forced onto the adventure. Their investigation will put them on the trail of a mysterious scientist who holds the secret to eternal youth...

Imogène McCarthery

Imogène McCarthery
5.4/10
  • Genre: ComedyCrime
  • Release: 05/05/2010
  • Character: Imogène
Elle est rousse. Elle est écossaise. Elle aime le rugby et la cornemuse. Elle vit à Londres, mais se considère en exil. Elle a un fichu caractère et une sacrée descente au whisky. Elle s’appelle Imogène Mc Carthery… du clan des McLeod !

Old Rascal

Old Rascal
6.1/10
  • Genre: ComedyCrime
  • Release: 25/12/1992
  • Character: Marylin
A story of a modest ordinary crook trying his best to turn his boring life into an affordable extraordinary adventure.

After Life

After Life
7/10
  • Genre: CrimeDrama
  • Release: 12/09/2002
  • Character: Jeanne Coste
The final installment in director Lucas Belvaux's trilogy follows Pascal, a cop who sees a return to credibility in the capture of escaped convict Bruno--who in turn is harbored by Pascal's morphine-addicted wife Agnes. Pascal's already precarious ties to Agnes are strained further when he meets and falls for her fellow schoolteacher friend Cecile. With Pascal focused on Bruno and Cecile, Agnes is forced to find a fix on her own.

The Chameleon Slayer

The Chameleon Slayer
5.8/10

Coup d'éclat

Coup d'éclat
5.3/10
Fabienne is a police officer. She does her job well but is gradually growing tired of the dehumanized nature of her work : arresting undocumented aliens day after day does not fit in with her ideals. That's why when, one night, Olga, the Kazakh prostitute she apprehends, begs her to free her not to leave her four-year-old son alone, she hesitates... And why, after Olga has run away and is found dead, Fabienne decides to deal with this matter personally...

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