The best Carmen Giardina’s comedy movies
We present our ranking of the best Carmen Giardina’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Carmen Giardina.
The Last New Year's Eve
6.1/10
New year's eve at "The Islands" condos. An aging countess's party is crashed by the soccer team from her gigolo's town. While dressing for a dinner party, the wealthy Guilia discovers her husband's affair with her best friend and vows revenge. Next door, a family prepares their vintage Dodge for a drive through the streets. A call girl ties up a lawyer while, unbeknownst to him, three men await the right moment to break into his office. Across the hall, a woman downs pills in a lonely suicide attempt. Two young men hide out in a bedroom smoking dope; one of them has some dynamite. As midnight approaches, each group draws closer to grotesque tragedy.
Donne con le gonne
6/10
Donne in bianco
4.5/10
Crushed Lives - Il sesso dopo i figli
5.3/10
With humor and wit, Crushed Lives – Sex or Kids? takes on the probing but taboo question: what happens to our sex lives after children? New father Saverio films a documentary to get to the bottom of this matter after an uninspired sex session with his wife. Interviewing couples at various stages of parenthood, Saverio unearths the fear and anxieties that seem to universally plague his peers as they collectively experience the quiet devastation of a dying bedroom. Honing in on this seldom fully explored theme of adulthood, director Alessandro Colizzi brings us on a sincere and funny journey into life encumbered by children and the fainting sexual imagination that seems to go with it. - Vivian Yuen
La grande menzogna
1957. ANNA MAGNANI is in America, invited to the ceremony of awarding the Oscars, and BETTE DAVIS does not miss the opportunity to meet her and invite her to her home for tea.
With the help of an interpreter the two actresses exchange compliments and Davis, who is in possession of some films they have interpreted, proposes to Magnani to look at them together.
The evening, however, will take an unexpected turn ... ANNA MAGNANI and BETTE DAVIS, they really met and exchanged confidant letters for years.
Their meeting is the starting point for LA GRANDE MENZOGNA, to then become a bittersweet comedy about the life of the anomalous and “difficult” artists, shot partly in color and partly in black and white, in a perfect quote from the photography of the years films '50.
