The best Carlos Belloso’s movies
If you love cinema, you will share this ranking of the best Carlos Belloso’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Carlos Belloso.
Heroic Losers
7.2/10
In a town in the Northwest of the province of Buenos Aires, a group of neighbors is organized to recover the economy of the area, but when the corralito is implemented in the country and they suffer a fraud, their hopes disappear. Now, they will unite to recover the lost money and give the blow of their lives to their greatest enemy.
The Holy Girl
6.7/10
Amalia is an adolescent girl who is caught in the throes of her emerging sexuality and her deeply held passion for her Catholic faith. These two drives mingle when the visiting Dr. Jano takes advantage of a crowd to get inappropriately close to the girl. Repulsed by him but inspired by an inner burning, Amalia decides it is her God-given mission to save the doctor from his behavior, and she begins to stalk Dr. Jano, becoming a most unusual voyeur.
Dangerous Obsession
4.3/10
An Argentine truck driver is on a routine trip through Rio de Janeiro when he meets a mysterious countryman. They travel back to Argentina together, meeting a beautiful Brazilian journalist on the way. The truck driver has revenge on his mind, and both the adventurous young man, and the gorgeous girl join him in this venture. The only thing the three have in common are their obsession for honor and justice.
La leyenda
5.4/10
Set in the dizzy world of TC 2000 racing La Leyenda tours the action genre overflowing with adrenaline and speed...
Air
7/10
Lucia is a single parent to a child with Asperger's. She has a minimum wage job and a very difficult relationship with her mother, but she thinks she can deal with everything on her own. One day she receives an urgent call from the school: her son hit his head and she needs to pick him up.
Erdosain
A film adaptation of the TV series "Los siete locos y los lanzallamas" by Roberto Arlt.
Baires
4.2/10
An ordinary man's romantic trip to Argentina turns to horror when vicious drug dealers hold his girlfriend hostage and force him to do a job for them.
Unidad XV
7/10
With the Peronist government overthrown, with General Perón in exile and the Liberating Revolution in power, four renowned Peronist leaders are confined in the distant and cold Unit 15 of the Río Gallegos prison. Faced with the imminent execution to which the political prisoners will be assigned, they decide that the only option to survive is escape. Leaving aside their personal and ideological differences, they plan one of the most spectacular escapes in Argentine history.
Murciélagos
El secreto de Lucía
6.8/10
Felicidades
7.2/10
You can feel lonely in the desert - said the Little Prince. You can also feel lonely among men - said the Snake (Antoine de Saint - Exupéry)
La vida después
6.1/10
A couple married for 25 years decides to split. Adapting to the new life will be very difficult.
Bad Truth
7.4/10
Barbara’s behavior at school unlishes the suspicions of her teacher and the school psychologist, Sara. Talks at school with Sara, begin to reveal fears and darkness that the girl hides behind her eyes. Already convinced of her suspicions, Sara tries to get her superiors’ support as well as Barbara’s mother support to set her free out of her pain. Barbara’s mother denial, her own fear and the inaction of different institutions seem to be impossible barriers to overcome.
Pies en la tierra
La Cosa
4.6/10
A woman who lives in a lighthouse takes action against her childhood sweetheart who runs a beach hotel.
Omisión
4.5/10
A deep crisis will lead a psychiatrist to the extreme decision of "cleanse" society. His path will cross Santiago Murray, a priest who has just returned to Buenos Aires, willing to assist the needy people of his neighborhood.
Parakultural: 1986-1990
The Parakultural is a mark, a lost dream, a battlefield. Those who never attended the Parakultural, shelter of original artists, home of an orphan audience and a cursed monument of reconquered democracy, do not know what they missed. The film is the portrait of a generation that doesn’t forget.
