The best Carlo Giustini’s movies
Today we present the best Carlo Giustini’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Carlo Giustini’s movies.
Barabbas
6.9/10
Epic account of the thief Barabbas, who was spared crucifixion when Pilate manipulated the crowd into pardoning him, rather than Jesus. Struggling with his spirituality, Barabbas goes through many ordeals leading him to the gladiatorial arena, where he tries to win his freedom and confront his inner demons, ultimately becoming a follower of the man who was crucified in his place.
El Cid
7.2/10
Epic film of the legendary Spanish hero, Rodrigo Diaz ("El Cid" to his followers), who, without compromising his strict sense of honour, still succeeds in taking the initiative and driving the Moors from Spain.
The Savage Innocents
6.8/10
An Eskimo who has had little contact with white men goes to a trading post where he accidentally kills a missionary and finds himself being pursued by the police.
Pontius Pilate
5.5/10
The events that culminated with the Passion of Christ seen from the perspective of Pontius Pilate, the Procurator of Judea who unwillingly condemned Christ to death. Based on the biblical Gospel of John.
Joseph and His Brethren
5.4/10
A brother is cast out from his family, sold in to slavery and then returns years later as a man of power - but shows forgiveness and compassion to his family through the strength of character given to him by God.
The Silent Enemy
6.6/10
The Mediterranean, 1941/42 - Axis forces are using frogmen and manned torpedoes to attack previously impregnable harbours. The Allied forces need to come up with something to answer this threat, which they find in the form of Lt. Lionel "Buster" Crabb.
Amazons of Rome
5/10
Marching down the Italian peninsula to sack ancient Rome, Etruscan warrior Drusco instead offers to hold back his onslaught if the Romans hand over hostages, including Clelia, the sexy leader of a clan of woman warriors. But before long, intrigue and betrayal unravel the fragile peace. Directors Carlo Ludovico Bragaglia and Vittorio Cottafavi helm this vintage sword-and-sandal epic.
Messalina
5.7/10
Messalina was the Roman noblewoman who inveigled ageing emperor Claudio into marriage. Once ensconced on the throne, Messalina launched a reign of terror that shook the empire to its very foundations. The subject of countless film treatments, Rome's most villified empress is herein played by British actress Belinda Lee.
The Wild, Wild Planet
4.5/10
A rogue cop must stop a scientist from taking over the world with his deadly female robots, who are shrinking the world leaders.
War of the Planets
4/10
In the 21st century, aliens with mind-control powers attempt to take over the earth.
The Whole Truth
6.2/10
On the French Riviera, movie producer Max Poulton is on location shooting a film starring his lover, Gina Bertini. But when the rueful Max ends his fling with Gina to return to his loyal wife, Carol, the jilted actress threatens to reveal details of their affair to Carol. Later, at a party at Max's villa, investigator Carliss arrives with news that Gina has been killed and that Max is a murderer suspect.
The Siege of Pinchgut
6.3/10
An escaped prisoner is trying to clear his name.
Mamma mia, che impressione!
6/10
Damon and Pythias
5/10
Damon is a thief who begins to question his beliefs after he meets Pythias, a liberal Athenian who believes all men are brothers.
Campane a martello
6.5/10
On Friday at Eleven
6.2/10
An enigmatic woman recruits a gang of specialised criminals to rob a US Army payroll armoured truck bound for Marseilles. However, things don't go exactly as planned.
Nerone e Messalina
6.3/10
Antonio di Padova
5.4/10
La trovatella di Pompei
6/10
The Fate of Two Queens
7.2/10
Anthology film in which Hedy Lamarr plays 2 queens during 2 different time periods. Ulmer directed the Genoveffa di Brabante part whereas Allégret was responsible for the empress Josephine section after he left due to artistic differences with Lamarr.
