The best Carl Studer’s comedy movies

Carl Studer

Carl Studer

08/01/1918 (106 años)
We present our ranking of the best Carl Studer’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Carl Studer.

The Gendarme in New York

The Gendarme in New York
6.4/10
  • Genre: Comedy
  • Release: 28/10/1965
The second installment of Gendarmes series, tells the story of Sergeant Cruchot (Louis De Funes), who, together with his faithful comrades, has been sent to the International Congress of Gendarmerie in N.Y.

Soldier Martin

Soldier Martin
6.5/10
  • Genre: ComedyWar
  • Release: 28/09/1966
  • Character: Le capitaine Wallace
A troupe of French actors on tour in Normandy become involved in the events of WWII.

Les Borsalini

Les Borsalini
2.7/10
  • Genre: Comedy
  • Release: 20/02/1980
  • Character: Gino

Pantalaskas

Pantalaskas
7.9/10
  • Genre: ComedyDrama
  • Release: 08/02/1960
  • Character: Casimir Pantalaskas
An off-beat, uneven tale about a man intent on suicide and the three people who try to talk him out of it, Pantalaskas stars American Carl Studer in the title role of the morose, would-be suicide. Set in Paris and taking place over an entire night, the story has a complication in that the trio who want to prevent the suicide do not speak the man's language -- he is Lithuanian and speaks no French. So the protagonists comb the underbelly of a nighttime Paris, looking high and low but mostly low for anyone who speaks Lithuanian. Depending mainly on dialogue for its impact, the verbose drama reveals how the protagonists undergo a transformation as the night wears on.

Sophie's Ways

Sophie's Ways
6.2/10
  • Genre: ComedyDrama
  • Release: 01/02/1971
  • Character: American
Celine (Bernadette Lafont) is a free-spirited woman who marries a dull, middle manager named Philippe (Michel Duchaussoy) in this comedy drama. The union results in her being pegged as a household ornament for her husband by her husband's coworker. She makes friends with a woman who shows her how to juggle the couple's living expenses to get whatever material goods she desires. When the couple entertains the coworker and his wife, the drunken men suggests they swap wives. Celine strips the man and makes him look at himself in a mirror to prove he is not desirable. Celine turns to painting and writes papers on the inequity between genders as she asserts her independence and gradually frees herself from her husband's claustrophobic world.

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