The best Buster Keaton’s war movies
If you love cinema, you will share this ranking of the best Buster Keaton’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Buster Keaton.
The General
8.1/10
During America’s Civil War, Union spies steal engineer Johnnie Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.
Doughboys
5.8/10
Elmer, rich society loafer, falls for Mary, but she'll have nothing to do with him until (mistakenly thinking that he's hiring a new chauffeur) he accidentally volunteers for the army. Luckily, Mary's signed up to entertain the troops. Unluckily, Elmer's sergeant likes Mary, too. And worst of all, they're all about to ship out for France.
War Italian Style
5/10
It's May 1943, and two Italian American soldiers, Joe and Frank, are searching the North African desert for a Nazi general called Von Kassler. Von Kassler's aide captures them, and arranges for them to escape with fake war plans. But, things don't go exactly as planned for either side.
Boom in the Moon
4.6/10
An American soldier (Keaton) during World War II escapes from an airplane crash over the Pacific Ocean. He arrives on a beach believing he has landed in Japan, but he is actually in Mexico. He wanders into a fishing village and is arrested under the mistaken belief that he is a wanted serial killer. Keaton and another prisoner are put in the custody of an scientist who is planning to launch a manned rocket into outer space. The two prisoners, along with the scientist’s assistant, are blasted into space but their craft lands in an isolated portion of Mexico instead. They mistake a beekeeper wearing protective headgear as an alien, while the beekeeper believes the trio (who are wearing wizard robes) are escaped lunatics. The prisoners and the scientist’s assistant are apprehended by the local police, and the matter is quickly settled. The film is notable both as Keaton’s only Mexican production and as the last time Keaton had star billing in a feature film.
