The best Burt Lancaster’s documentary movies

The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.

The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers payed up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.

A 1970 American documentary film biography of Dr. Martin Luther King, Jr., presented in the form of newsreel footage and segments of recordings by Dr. King, framed by celebrity narrators, including Marlon Brando, Paul Newman, Joanne Woodward, Ruby Dee, James Earl Jones, Clarence Williams III, Burt Lancaster, Ben Gazzara, Charlton Heston, Harry Belafonte, The movie was produced by Richard Kaplan and Ely Landau.

How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)

Actress Sally Field looks at the dramatic life and career of Barbara Stanwyck, a Hollywood legend.

Testimony of the cast, the producers and other participants of the shootings of "The Osterman Weekend".

This 1986 documentary features interviews with director Alexander Mackendrick, actor Burt Lancaster, producer James Hill, and others.

Born November 2, 1913, he went from street-wise tough to art-collector liberal-activist, from circus-acrobat hunk to Academy Award winner. Burton Stephen Lancaster - later Burt Lancaster - was one of five children of a New York City postal worker. Burt recalled family life as warm and mutually supportive. At the Union Settlement House, he and boyhood friend Nick Cravat formed an acrobatic team. By eighteen, Burt was 6'2" and blessed with the athletic physique and dynamic good looks that helped make him famous. A basketball scholarship was not enough to keep him in NYU beyond his sophomore year. That's when he and the 5'2" Cravat joined a circus, earning $3 weekly between them. A stint in the Army introduced Burt to acting and led him to Hollywood where his first release, The Killers (1946), propelled him to stardom at age 32. He took control of his own career and seldom faltered.

This one-hour film, narrated by Actor BURT LANCASTER, explores the lingering effects of The Hollywood Blacklist, which occurred in the late forties and early fifties as part of the Anti-Communist witch-hunts that terrorized the nation. This film is seen through the eyes of the wives and children of the now deceased Hollywood figures whose careers were destroyed when studio bosses, along with guild and union officials capitulated to the demands of the House Un-American Activities Committee.

Documentary for Scottish television about the making of Bill Forsyth's 1983 film LOCAL HERO.

A documentary about the making of Bill Forsyth's 1983 film LOCAL HERO

A mysterious Polaroid-filmed short that showcases depth in stereo photography.

Ken Murray narrates his 16mm home movies shot over 35 years in Hollywood.

A documentary about film director Luchino Visconti

Jenny is a Good Thing is a 1969 American short documentary film about children and poverty, directed by Joan Horvath. Produced by Project Head Start, it shows the importance of good nutrition for underprivileged nursery school children. The film was nominated for an Academy Award for Best Documentary Short.

Documentation about the dangers of the nuclear arms race, including an interview with an witness of the bomb drop of Hiroshima and scientific statements describing the devastating consequences of a nuclear war.