If you love cinema, you will share this ranking of the best Bruni Löbel’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Bruni Löbel.
Supported avidly by his mother and more reluctantly at first by his father, a working-class Austrian boy joins the Vienna Choirboys, where he proves to be unusually talented. The standard initiation ordeals which new boys must endure at the hands of their seniors are intensified in his case because he has aroused the jealousy of Peter, the head chorister, by singing a solo which Peter had long sung himself. The fact is that Peter's voice is breaking, and with a broken voice often comes a broken heart. But, encouraged by the director and all the boys, Peter begins to develop in a new role as composer and conductor.
"Gems" - Embedded in a frame story, the film shows excerpts from 18 entertainment films of the time, among others, "The Gypsy Baron", "The Three Codonas", "La Habanera", "Viennese Blood", "Sophienlund", and "Mask in Blue".
One day the animals become too colorful: war is constantly going on among the people. When Alois, the lion, learns that the 365th Peace Conference has just failed, the animals decide that it is high time to intervene: they call their own "animal" peace conference. With much courage and even more imagination, they develop a plan so that Frides can finally prevail among the people of the world ...
The bailiff Engel is believed to be an heir to the millions via a fictitious newspaper advertisement. It is said to have a mink farm. Your debtors mean my nun that as a millionaire you can pay the debts. Some dowry hunters have seen it on them too. Paulchen, who shows the ad, has in Ms. Engel and in the end she also has a couple.
The moral is simple: keep your mouth shut, especially when you're working during the wartime in a factory, which produces racing cars only, or someone can (or even must) get murdered. Not a good movie, not a bad either. The ending is abrupt and artificial, which seems to be a common plague of Third Reich's crime movies. Gustav Fröhlich could never get rid of his silent era mannerisms and overacting. But on the other side, this film is not boring and has to offer some decent plot turns and acting.
The teacher Dorothee Durand, young and single, travels from England to the picturesque south of France to find the remaining remnants of her family. Her search takes her to Nimes, where she meets the likewise single Marius, a hotelier, who immediately falls in love with the beautiful woman. And so it turns out that after traveling through half of France, Dorothy not only finds her relatives, but also ...