The best Bronagh Gallagher’s tv movie movies

Bronagh Gallagher

Bronagh Gallagher

28/11/1972 (51 años)
Today we present the best Bronagh Gallagher’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Bronagh Gallagher’s movies.

You, Me & Marley

You, Me & Marley
7.3/10
A group of bored Roman Catholic teens from Belfast, Northern Ireland, United Kingdom steal cars and joyride around the city, causing havoc among the nearby Protestants and local Irish Republican Army members, all of who are outraged by the youths' nihilism. The gang, led by ace thief Sean (Marc O'Shea), is connected with the IRA but couldn't care less about the group's politics. But things turn serious when an IRA member captures one of the boys, Marley (Michael Liebmann), in an effort to end the mayhem.

Holy Cross

Holy Cross
7.1/10
  • Genre: DramaTV Movie
  • Release: 10/10/2003
  • Character: Sarah Norton
Violence erupts in north Belfast when the residents of Glenbyrn, a predominantly Protestant suburb, object to schoolgirls walking through their neighbourhood from the Catholic area of Ardoyne to the Holy Cross primary school.

Ruffian Hearts

Ruffian Hearts
6.9/10
An off-beat romantic comedy about the complex relationships between the inhabitants of a Glasgow tenement block. The final film in the Love Bites trilogy.

Shockers: Deja Vu

Shockers:  Deja Vu
6.3/10
Psychological drama revolving around a couple caught in a living nightmare after the death of their young son in a car crash.

Shadow of a Gunman

Shadow of a Gunman
8/10
The first part of O'Casey's "The Dublin Trilogy". Set in 1920, as the War of Independence rages, "Shadow of a Gunman" is the story of two young men, Donal and Seamus who share a flat in Dublin.

The Dead Hour

The Dead Hour
The sequel to The Field of Blood, an adaptation of Denise Mina's novel. It's 1984 and Paddy Meehan tries to make a career for herself in her dream job, working the night shift on the call car, against the backdrop of the miner's strike and the changing face of journalism. The arrival of a new editor in chief threatens to thwart her ambitions and hopes for happiness, whilst,an innocuous call to a disturbance in a posh area of Glasgow leads her to uncover a cold-blooded murder.

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