The best Brigitte Fossey’s drama movies
Today we present the best Brigitte Fossey’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Brigitte Fossey’s movies.
Cinema Paradiso
8.5/10
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
Going Places
7.1/10
Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.
The Party
6.7/10
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
The Party 2
6.2/10
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.
Forbidden Games
8/10
Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette's deceased pet dog. Eventually, however, Paulette's stay with Michel's family is threatened by the harsh realities of wartime.
The Man Who Loved Women
7.4/10
At Bertrand Morane's burial there are many of the women that the 40-year-old engineer loved. In flashback Bertrand's life and love affairs are told by himself while writing an autobiographical novel.
Enigma
5.9/10
Five highly-trained KGB agents are sent to the west to assassinate several Soviet dissidents. In order to stop the diabolical plot, an American agent must infiltrate Soviet intelligence and obtain information from a Russian computer.
For Those I Loved
7.1/10
Polish Martin Gray recalls the Holocaust, New York prosperity, and losing his wife and family.
A Bad Son
7.3/10
Bruno is released from prison. He looks for a job and tries to start a new life. His first stop is at his father's apartment.
Love in Vienna
5.6/10
Love blossoms when Melody is assigned to track down a reclusive pianist and covince him to play a classical Christmas concert in Vienna.
Quintet
5/10
During a future ice age, dying humanity occupies its remaining time by playing a board game called Quintet. For one small group, this obsession is not enough. They play the game with living pieces, and only the winner survives.
Raphael or the Debauched One
7.1/10
1830, somewhere in France. Aurore is a young, beautiful and virtuous widow. She meets Raphael, a man of leisure, a debauchee. Raphael is obsessed by the death, and wait for it by chasing women and drinking. He first tries to seduce her, but is impressed by her and gives up. But Aurore felt in love with him, and tries not to look as inacessible. A romantic drama, with dispair, cynism, disgust for life and love.
The Good and the Bad
6.7/10
The film follows the exploits of Jacques, a car-mechanic turned pro-thief, and his Jewish co-conspirator Simon as their robberies, beginning well before the Second World War, take on a political coloration under the occupation.
The Wanderer
6.7/10
Rural France, the 1890s. Always in motion, Augustin wanders three times. First, as a youth, while a boarder near Bourges, he's lost in the woods and finds a chateau where an engagement party's in progress: there he falls eternally in love with Yvonne and she with him. Back at school, he hears she is in Paris, so he follows in a vain search and meets a woman, jilted by her lover. In the countryside a few year's later, Augustin's friend François finds Yvonne and brings Augustin to her. They marry, but the next day, Augustin leaves to fulfill a youthful promise he made to Yvonne's brother. François comforts the pregnant Yvonne as they await Augustin's return.
The Last Butterfly
7/10
Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.
Infidelity
6.4/10
Setting out on her own, 25-year-old Alice visits several apartments with the help of real estate agent Julien, a married man with children. They soon fall in love. Around the same time, Alice takes work at Julien's wife Marie's tea shop. Charmed by the interest Alice shows in her, Marie lets her guard down and starts confiding in her. In return, Alice, tells Marie about her affair with a married man. Things come to a head when Julien has a car accident and the affair is exposed.
Chanel Solitaire
5.7/10
The story about the life and loves of an amazing woman-Coco Chanel- who rose from the bottom with no family or financial support and became one of the most legendary of all our creative icons.
The Triple Death of the Third Character
5.2/10
Croque la vie
6.1/10
Friendships and business do not mix, that's what we find with Theresa, Catherine and Alain, three longtime friends. Freshly graduated, they decided to start their own business, but work is scarce and a fight breaks out between the trio. Separated, married and scattered all over France, the once inseparable trio no longer keep in touch. But four years later, they decided to organize a big party for their reunion which serves as an opportunity for them to put things right and confess everything they have in their hearts.
Imperative
6.7/10
Polish director Krzysztof Zanussi once more explores the dilemma of intellectualism at the expense of humanity in 1982's Imperative. The story concerns math professor Robert Powell, who feels that there is something lacking in his ever-so-precise life. What is missing is truth, specifically philosophical truth. Thus he philosophizes at great length, allowing director Zanussi plenty of room for didactic but little room for warmth. Leading ladies Brigette Fossey and Leslie Caron occasionally melt through the cold logic of Imperative.
