The best Boy George’s movies

Joining multi-Grammy Award winning and one of the biggest UK artists of all time, Adele, for a unique and special night at the legendary London Palladium, where she performs her chart-topping single Easy On Me, as well as tracks from her new album, 30.

Alice d'Abanville and Louis Ruinard are two extraordinary personalities. They were the most strikingly glamorous couple of the 70s. But this pair haven't seen each other in thirty years.

Satirical sitcom on the music industry.

Out of one small London venue called The Blitz came a generation of outrageous teenagers, working class and art school kids, who would define the look, the sound, the style and the attitude of the '80s and beyond. This is their story.

Kinky Gerlinky was the biggest, most fabulous, most stylish nightclub London has ever seen. This documentary edited from over 200 hours shot on 21 nights, conveys the experience of one full night out at the club, and gains unique intimacy with most of the action directed to camera.

Culture Club, Spandau Ballet, Visage, Marilyn, Adam and the Ants, Duran Duran, ABC... At the dawn of the 80s, a whole host of strangely dressed men in make-up burst forth onto the music scene brandishing synthesisers and kicking against the visual ugliness of punk.

Welcome to the over-the-top, extravagant world of Leigh Bowery, a key figure in New Romanticism and London nightlife in the 1980s. With his bizarre outfits, a mix of kitsch and fetish, and his eccentric performances, he influenced artists, musicians and stylists like Boy George, Lucian Freud (of whom he became the muse), Vivienne Westwood, Anthony and the Johnsons, John Galliano and David LaChapelle. Born in Australia into an intensely religious family and brought up in a Melbourne suburb, Leigh moved to London where he worked as a fashion designer and a promoter, and started the legendary disco club night "Taboo", the first outrageous polysexual party in London. The documentary offers a fully rounded portrait of this artist, including interviews with the people who knew him, who describe a complex, extreme, and ironic personality, a performer, actor and designer ahead of his time, from his difficult early life to international success, up to his death in 1994.

This documentary covers the acid house, rave and club culture revolution in the UK and of course the chemical Methylenedioxymethamphetamine or ecstasy. This era inspired the film 24 Hour Party people and sheds light on the forgotten counter culture movement.

Best of Night of the Proms 5

In July of 2015 while surfing the net, the director of the movie Corrado Rizza found what he considered to be an amazing video on YouTube. It was published by Hiroyuki Kajino, an active Japanese DJ in the 80's. It was an unpublished interview with Larry Levan from the Paradise Garage in New York City. The Paradise Garage opened in 1977 and it was a legendary club where Larry Levan showed his creative genius for ten years. He was so creative that he turned his club into a temple of music. Larry died prematurely in 1992, at the of age 38.

In 2014 Culture Club decided to come back together to record a new album and embark on a UK and US tour. Director Mike Nicholls has unique access, following the band as they first meet in George's London home to write new material. However, it's not long before creative differences and tensions from their past begin to emerge. Faultlines develop further when the band travel to Spain to record the new album, spending two weeks working and living together in a remote recording studio.As the band return to London to prepare for the tour, they suffer a Twitter mauling after their first big public performance on Strictly Come Dancing. Relations are even more strained when George and the band sign to separate managers and a sudden illness threatens the whole reunion.The film looks at the band's troubled past, examining the themes of success, fame and ego, and reveals the personalities behind one of the most iconic bands of all time.

Live at the Royal Albert Hall finds Culture Club celebrating their 20th anniversary with an infectious and expansive grandeur, all while basking in the love of adoring fans. The show actually starts with a great joke on the audience: Boy George, looking not a day over 20, glides onstage in his once-trademark derby and beaded hair extensions, delivering a warm and welcome vocal on "Do You Really Want to Hurt Me?" The startled crowd soon realises he's an impersonator. The real, fortysomething George O'Dowd, looking a lot less androgynous and a tad thicker than in his New Romantic days, smiles self-deprecatingly and launches into a pleasing set of white soul ("Cold Shoulder", "Miss Me Blind"), stark gospel ("That's the Way"), stirring raga-rock ("Bow Down Mister") and even a classic (a lovely cover of Bowie's "Starman", complete with audience participation and muscular guitar by Roy Hay). It's a fine show all around.