The best Bolesław Płotnicki’s drama movies
Today we present the best Bolesław Płotnicki’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Bolesław Płotnicki’s movies.
A Hole in the Ground
6.8/10
An ambitious, enthusiastic young geologist is entangled in bureaucratic red tape when he tries to drill for oil. Frustrated with the situation, he torches an abandoned mill, ignores his girlfriend, and fights with his friends who do not share his exuberance about the project.
Naked Among Wolves
7.2/10
Based on a true story of inmates at KZ Buchenwald that risked their lives to hide a small Jewish boy shortly before the liberation of the camp.
Mały
The End of the Holiday
6.3/10
A coming of end story about fourteen years old Yurek, his adventures during the vacations and his first love.
Wniebowstąpienie
5.4/10
Kardiogram
6.1/10
Two from the Big River
6.6/10
April
7.1/10
Set at the end of the war. A hot-headed colonel tries to force his men on to heroics although the war is almost over. A war-weary lieutenant tries to muffle his efforts but he keeps on with his men and is killed fighting in the front lines, all his men decide to get his body.
Under the Phrygian Star
6.3/10
With the second part of his Cellulose Diptych, award-winning director Jerzy Kawalerowicz returns to protagonist Szczesny, now a full-fledged, middle-aged communist militant in pre-war Poland. Based on the writings of Igor Newerly, Kawalerowicz's epic chronicles the romance between Szczesny and the charismatic Madzia, as the ill-fated pair fall in love amid the social and political upheaval of their homeland.
The Voice from Beyond
7.1/10
Krakow in the sixties. A doctor, though not having finished his studies, earns a living providing medical advice. A former nurse enters the stage, saying she hears voices from "the other world". At first, they can exploit gullible victims without problems, but soon the authorities start to show interest in these quacks.
Feuer unter Deck
6/10
Otto Scheidel (Manfred Krug) has been captain of the Elbe steamer Jenissei for over twenty years, but his ship, the last of its kind, is going to be converted into a floating restaurant. Otto, whose his strong attachment to the ship has already cost him his relationship with his girlfriend Caramba (Renate Krößner), refuses to take another job and instead joins a railway construction brigade.
Magical Bicycle
5.4/10
Five from Barska Street
6.3/10
In war-ravaged Warsaw, five juvenile delinquents are given probation for stealing, to rehabilitate themselves, but remain under the influence of their profiteer-boss.
The Law and the Fist
7.3/10
At the end of World War Two, Polish people move to the western lands vacated by Germans. But some ruthless profiteers pose as government representatives and intend to make off with loot from a deserted town they took over. One honest man stands up against them because he believes these goods belong to the people.
The Haunted
6.1/10
1950, a small town in Poland. Not the best times for shop owners like Jozef Piasecki - obstacles from authorities, restricted wholesale supplies. Moreover, he constantly argues with his son, the 17 year old Witek. Witek experiences love for the first time. This should be a time of great excitement for him, but Witek, being rather anxious about the future, becomes an example of a youth generation growing up under the long shadow of Stalin.
The Impossible Goodbye
7.3/10
All the ambiance of an old-fashioned circus comes across with great clarity in this otherwise routine psychological tale about a mean-spirited mime and his effects on his colleagues. The small, traveling circus has been sliding downhill for awhile, and unless some new life is infused into its acts, its future does not look very rosy. Into this precarious situation comes a new mime with the uncanny ability to sap the confidence of his fellow performers. If he continues for long in this vein, no one will be able to believe they have any talent left at all.
