The best Billy Drago’s romance movies
Today we present the best Billy Drago’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Billy Drago’s movies.
Guncrazy
5.5/10
California teen Anita Minteer struggles in the face of an absentee mother, her mom's abusive boyfriend, Rooney, and a lack of respect from her classmates. This all changes when a pen-pal school project connects her with convict Howard. Anita secures Howard's parole and violently squares off against Rooney after he rapes her. Soon enough, the gun-crazy teen is on the run with Howard, with his parole officer in pursuit.
Hero and the Terror
5.2/10
Danny O'Brien is back in action fighting the notorious Simon Moon, also known as The Terror. Three years earlier O'Brien had single-handedly captured The Terror and was called Hero by the people of L.A. Now Simon has escaped and has started killing women again, and O'Brien is the only man who can stop him.
Moving McAllister
5.2/10
Rick Robinson, a law intern, is scheduled to take the bar exam in just four days. Anxious to score points with his boss Mr. McAllister, Rick unwisely agrees to help the man move. The next day, Rick finds himself in a moving van from Miami to Los Angeles, accompanied by McAllister's spoiled niece and her pet pig.
The Dead One
3.5/10
Trapped between the living and the dead, Diego de la Muerte fights to rescue his soul from the evil god of death that controls him. But a bigger battle awaits him when the Aztec god demands the soul of Maria, the girlfriend Diego left behind.
China White
4.7/10
In Amsterdam - in the time before the legalisation of some drugs and the following growth of competition on the market - takes place a war between the Italian and Chinese mafia because of the control of the heroin market.
Lime Salted Love
3.7/10
LIME SALTED LOVE is a minimalist, surreal examination of abandonment, guilt, abuse and psychic pain set in this minute's hipster enclaves of Los Angeles. The film, told in rippling flashbacks from its four main characters, drains out of the eyes of the institutionally confined, David Triebel, his guilt-ridden younger brother, Chase, Ellie, his emotionally damaged girlfriend, and Zephyr, the sexual provocateur. In the visual narrative tradition of David Lynch the film depicts the tale of three bonded brothers broken by the accidental death of one and the residual guilt draping the remaining two The film examines how damaged people are hurt even more by their own willful ways. Sometimes it is the smallest things we do to others that destroys them...
