The best Billie Whitelaw’s romance movies
Today we present the best Billie Whitelaw’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Billie Whitelaw’s movies.
Maurice
7.6/10
After his lover rejects him, a young man trapped by the oppressiveness of Edwardian society tries to come to terms with and accept his sexuality.
A Tale of Two Cities
6.6/10
Dissolute barrister Sydney Carton becomes enchanted and then hopelessly in love with the beautiful Lucie Manette. But Lucie loves and marries Charles Darnay, and remains oblivious to Carton's undimmed devotion to her. When Darnay is ensnared in the deadly web of the French Revolution and condemned to die by the guillotine, Sydney Carton concocts a dangerous plot to free the husband of the woman he loves.
Camille
6.2/10
Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hope of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.
The Fifteen Streets
6.9/10
In northern England around 1900, the worker John O'Brien lives near poverty in a small house in the worker's district. He falls in love with Mary, the teacher of his highly intelligent younger sister Kathy and daughter of a rich family. Their love is doomed by the social difference, but the vigorous Mary refuses to allow outer circumstances destroying their love.
Duel of Hearts
6.3/10
Lady Caroline Faye meets Lord Vane Brecon and is attracted to him. When she finds out that he is being accused of a murder he did not commit, she sets out to prove him innocent
The Dressmaker
6.3/10
In England during World War II, a repressed dressmaker and her sister struggle looking after their 17-year-old niece, who is having a delusional affair with an American soldier.
