The best Bill Walker’s western movies

An aging Texas cattle man who has outlived his time swings into action when outlaws kidnap his grandson.

Jet Cosgrave (John Derek) is The Outcast in this big-budget Republic western. Thanks to the chicanery of his crooked uncle Major Cosgrave (Jim Davis), Jet has been cheated out of his father's property and branded a pariah. He spends the rest of the film trying to regain his birthright and clear his name. The two women in Jet's life are Judy Polsen (Joan Evans), who chases him for so long that he finally catches her, and Alice Austin (Catherine McLeod), Major Cosgrave's fianee. The supporting cast is dotted with such weatherbeaten western "regulars" as Slim Pickens, Bob Steele and Harry Carey Jr.

An upstart outlaw baits a legendary gunslinger, now a marshal in love with a saloon keeper.

In the 1870s, two rival businessmen, Zack Thomas and Joe Jarrett, on a stagecoach heading to Galveston, Texas, must pull together to protect $100,000 from an outlaw named Matson. Once in Galveston, however, their rivalry continues, as Thomas joins up with Elya Carlson and Jarret with Maxine Richter. But Matson is still on the loose, and a scheming banker threatens both Thomas and Jarrett.

Virginia, 1803. After the United States of America acquires the inmense Louisiana territory from France, a great expedition, led by William Lewis and Meriwether Clark, is sent to survey the new lands and go where no white man has gone before.

Rebel City is a "B" western with "A" aspirations. Wild Bill Elliot plays gambler Frank Graham, who heads to Kansas in search of his father's murderer. This being 1864, the local military presence is more preoccupied with keeping Southern sympathizers out of the state to worry about Graham's problems. Thus, our hero undertakes the task of exposing the killer himself. As always, the least likely suspect is the guilty party (though sharp-eyed viewers were wise to the villain from the first reel). Marjorie Lord co-stars as Jane Dudley, the comely operator of the local freight line who helps Graham in his task. Producer Thomas M. Fennelly and director Thomas Carr later collaborated on the Richard Diamond TV series.

After robbing a bank Murphy assumes the identity of his pursuer, a famous US Marshal, when he stumbles into a town and is confronted by the local judge, Matthau. Murphy is forced to remain as the new Marshal; an old flame, Scala, nearly unmasks him by accident, only to be forced to assume the ruse of being Murphy's wife. The "couple" given a house and respectability, which neither has had before. They maintain the charade to avoid hurting a young orphan boy, Matthau's ward. Scala is torn by her loyalty to boyfriend planning to rob the bank and growing feelings for Murphy