The best Bill Macy’s movies

Broadway producer, Max Bialystock and his accountant, Leo Bloom plan to make money by charming little old ladies to invest in a production many times over what it will actually cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.

Two women, one from the United States and one from the United Kingdom, swap homes at Christmastime after bad breakups with their boyfriends. Each woman finds romance with a local man but realizes that the imminent return home may end the relationship.

Countless wiseguy films are spoofed in this film that centers on the neuroses and angst of a powerful Mafia racketeer who suffers from panic attacks. When Paul Vitti needs help dealing with his role in the "family," unlucky shrink Dr. Ben Sobel is given just days to resolve Vitti's emotional crisis and turn him into a happy, well-adjusted gangster.

Marjorie Turner is suffocating. Her younger sister Jeanine has no ambition, and her 8 year marriage to Harry puts her in constant competition with his family (all doctors)..

Drew Latham is an executive leading an empty, shallow life with only wealth on his side. Facing another lonely Christmas ahead, he revisit his old childhood home in the hope of reliving some old holiday memories – but he finds that the house in which he was raised is no longer the home in which he grew up.

Jack McKee is a doctor with it all: he's successful, he's rich, and he has no problems.... until he is diagnosed with throat cancer. Now that he has seen medicine, hospitals, and doctors from a patient's perspective, he realises that there is more to being a doctor than surgery and prescriptions.

After discovering he's not really black like the rest of his family, likable dimwit Navin Johnson runs off on a hilarious misadventure in this comedy classic that takes him from rags to riches and back to rags again. The slaphappy jerk strikes it rich, but life in the fast lane isn't all it's cracked up to be and, in the end, all that really matters to Johnson is his true love.

It's the end of the 70s. Hippies are assimilating, women are raising their consciousness, and men are becoming confused and ineffectual. Don't expect to be able to keep track of all the names or who's sleeping with who; the picture very skillfully conveys the hopeless muddle through which the many characters move as they try to find themselves.

Jeff Marx wants to study medicine and become a physician. However, his grades are far from enough to get him into an American medical school. But then he gets a chance to study medicine abroad in a small Latin American dictatorship governed by the dictator Ramon Madera who has a big interest in how the medical students behave.

New York City, 1954: Benjy Stone is the junior writer on the top rated variety/comedy show. His idol Alan Swann, an actor with a drinking problem, is to be that week's guest star.

Joe Mulholland, Head of Production at a Hollywood studio, makes a rather fool-hardy promise to a dying friend. He undertakes to make a major movie using the title - if not the content - of a best-selling sex manual "Love in Sex". Enlisting the help of depressed screenwriter Herb Derman and rather off-centre director Sid Spokane to try and come up with an idea or two, Joe soon wishes he was not one of those people who always try to keep their promises.

Based on the controversial off-Broadway musical comedy revue, "Oh! Calcutta!" is a series of musical numbers about sex and sexual mores. Most of the skits feature one or more performers in a state of undress, simulating sex, or both. The show sparked considerable controversy at the time because it featured extended scenes of total nudity, both male and female. The title is taken from a painting by Clovis Trouille, itself a pun on "O quel cul t'as!" French for "What an arse you have!".

Over-the-hill gumshoe in Los Angeles seeks to avenge the killing of an old pal, another detective who had gotten himself involved in a case concerning a murdered broad, stolen stamps, a nickel-plated handgun, a cheating dolly, and a kidnapped pussycat.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

Donna and Joel Gregory are staying at the estate of Lorna Love while researching a book about the long dead Hollywood goddess. Joel, who's father had a passionate affair with Lorna, becomes obsessed with her. His wife attemts to break the spell which threatens their marriage and their very lives.

Diane is a growling, howling urban nightmare, suffering from paranoia, nymphomania, and a really bad hair day. Her neighbor, a TV writer, is subject to Diane's constant commentary on sex, violence and invisible persecutors through paper-thin walls. When Diane manages to seduce him, the two jaded New Yorkers discover that love works in mysterious ways.