The best Bibiana Beglau’s drama movies

Rita Vogt is a radical West German terrorist who abandons the revolution and settles in East Germany with a new identity provided by the East German secret service. She lives in constant fear of having her cover blown, which unavoidably happens after the German re-unification.

This German musical drama – German if we speak about the production country, and international when it comes to its essence – stars Peter Simonischek, the incredible mature actor who played the lead in Maren Ade’s Toni Erdmann, which became one of the most notable premieres at the Cannes Film Festival in 2016. His character in Crescendo resembles the one he played in Ade’s film, and if in the latter he portrayed a wonderful father to his daughter, the former features him as a father to the entire symphonic orchestra assembled from young Israeli-Palestinian musicians. The conductor tries to turn this potentially volatile ensemble into a professional unit, guided by his own principles of an artistic director – but that doesn’t work – and he has to engage his human feelings towards those young ‘participants’ of someone else’s war. In the end, music – the eternal art – will help them make peace.

A drama loosely based on Jean Bernard's Nazi-era prison diary.

Barbara Hug is a young radical lawyer fighting Switzerland's antiquated prison system in the 1980s. Walter Stürm is in and often escaping out of jail becoming known as the Jailbreak King. When the two meet an unlikely alliance is formed.

She has her life firmly under control - but then the unbelievable happens. For seven hours, Hanna, who works as a psychotherapist in a Bavarian high-security prison, is taken hostage in her office by one of her patients. She is at the mercy of her tormentor, whom she has recently made a positive prognosis, and is raped several times. While the SEK Hanna, who is standing in front of the door, looks to safety, a convicted rapist destroys the life of a wife, mother and self-confident, cheerful woman. After the fact, nothing is as it was.

The door has been closed for many weeks. A teenager has locked himself in - shutting out a helpless father, mother and sister. In Japan, youths like him have already been given a name: Hikikomori (the secluded). The phenomenon is also beginning to spread throughout the Western world. This is all the family has been able to find out. All they can do is stand in front of the locked door and ask, beg, implore, throw tantrums, despair, accuse, ignore and hope. All the while, the door increasingly becomes a mirror of their own lives.

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The thin line between happiness and disaster: Jakob cancels a business trip to New York City because he finds out his ex-girlfriend is coming to a party in Berlin on that day: 9/11/2001. His friend Hans goes to the US instead.

Terminally ill, Lea surprises her family with her wish to die, consciously and controlled, on her own birthday. Her mother tries everything to prevent the plan. But things turn out differently. Tragic and dignified.