The best Biagio Pelligra’s movies

Vaguely inspired to the real story of boss of the Camorra's bosses Raffaele Cutolo, this is the story of the criminal career of "Il professore" (the professor). He is in prison, and by there he is able to build, step by step, an empire founded on murders and drugs. He starts a war to destroy all the old Camorra bosses and becoming the new "boss of the bosses". With his sister's help he manages to evade from prison and escape in New York. Here he starts immediately a new relationship with "Cosa Nostra" (Italian American Mafia). He is going to seat on the peak of the most powerful criminal organization, and the Italian authorities are almost impotent.

1975: author and filmmaker Pier Paolo Pasolini's dead body, brutally beaten and ran over by his own car, lays in the outskirts of Rome. Charged with the murder, 17-year-old thug Pino Pelosi confesses having acted in self-defense during a paid sexual encounter gone awry. However, many inconsistencies start to undermine his version, suggesting that he didn't act alone. Was Pasolini also murdered for another reason?

After the 1815 Restoration, an aging revolutionary finds himself reluctantly involved in an attempted insurrection in Southern Italy while growing increasingly disillusioned with his cause.

Sgt. Sullivan puts together a group of Italian-Americans into disguise as Italian soldiers in order to infiltrate a North African camp held by the Italians. After the soldiers have knifed the Italians in their beds, they find a hooker living at the camp. Sullivan's commandos are to hold this camp and its weaponry until an American battalion arrives, all the while these Italian-Americans pretend to be Italian soldiers, often hosting the enemy. Lt. Valli is a young, "green," by-the-book officer who constantly argues with Sgt. Sullivan, who tells his superior that he has no idea what he is doing. One man on the base, probably a touch from Argento, is an entomologist who is needlessly killed. Things go terribly wrong after that.

A tough, violent cop who doesn't mind bending the law goes after a machine-gun-carrying, hunchbacked psychotic killer.

It is Christmas 1908 in Messina, one of the richest merchant cities of the Mediterranean. Peter, the 13 year-old son of a rich English family is notorious for his cruelty to children, animals and servants. One night he is ambushed and wakes up in a coffin underground in the city's Gothic cemetery, buried in retaliation for his callousness by a servant boy from his mother's estate. When a powerful earthquake razes Messina to the ground, Peter is trapped and his whereabouts are forgotten. Until a century later an English archaeologist and his daughter arrive in the city.

A love triangle develops between three people who run a high tech chicken farm. It involves Anna (who owns the farm), her husband Marco (who kills prostitutes in his spare time) and Gabriella (the very beautiful secretary). Marco continues to kill as jealousy becomes more prevalent on the farm.

Free Hand for a Tough Cop (Italian: Il trucido e lo sbirro, also known as Tough Cop) is an Italian poliziottesco-action film directed in 1976 by Umberto Lenzi. In this movie Tomas Milian plays for the first time Sergio Marazzi aka "Er Monnezza", a role that he later played several more times, in Lenzi's Brothers Till We Die (1978, a sort of sequel of this movie), in Destruction Force by Stelvio Massi (1977), in Uno contro l'altro, praticamente amici by Bruno Corbucci (1980), in Francesco Massaro's Il lupo e l'agnello (1980).

Stuck in a dream world of his own, Italian sculptor Albert Saporito, sometimes has difficulty separating truth from fiction. When he dreams that his gangster neighbor has been murdered, he reports the crime to the police, only to involve himself in a complicated situation.

Maurizio Merli takes up a familiar role as Commissioner Berni; a cop who puts his life on the line to transport a witness from Corleone to New York City in order to testify against a mob boss on trial for murder. Along the way, Berni and his prisoner face a series of traps set up by the Mafia.

Don Vincenzo is a well respected boss from Naples, but he protects people from other criminals, like gypsies, loan sharks and Don Bufalo...but as they say in Naples, a Mammasantissima either ends in jail or inside a grave.

A young fisherman from Pozzuoli, Gino Esposito, is in love with the sixteen-year-old Laura who reciprocates him with passion; but her family is opposed to the idyll and even goes so wildly to beat the young man. The two pigeons, however, on the advice of the common friend Tito, flee to Venice but are immediately resumed; she is brought back home, he in prison for a minor rat. Laura marries Tito to save Gino from prison. So they spend about ten years, the two lovers meet again by chance in the record store that he has opened and they discover they still love each other. Gino remained a widower with a lively little boy, Duccio; Laura has a daughter Lisa, whom her father Titus adores. The marriage without love of Laura, after the meeting with Gino, goes into crisis. Tito is jealous of his wife who now hates him; so to take revenge on his rival he decided to have a bomb put in Gino's shop.

A Neapolitan camorra boss has retired from business but when his wife gets killed he gets back into action, and goes to the States to get his revenge.

Young radical Riccardo returns home after hiding out in South America for years, only to find out that he has no "home" left: his former comrades in arms have now either bourgeoisified or turned to drugs, all they fought for seems to have set the stage for near anarchy and nothing is as he imagined.