The best Betty Livanou’s comedy movies
Today we present the best Betty Livanou’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Betty Livanou’s movies.
Άρπα Colla
6.5/10
"Arpa-colla" in Greek literally means "Grab and stick", a phrase used to show something that has been done quickly and therefore isn't good enough. This is what the 2 main heroes of the film are doing. The one is a director(Giorgos) and the other an author(Kostas) with communistic ideas, who has won a prize at a festival. They both want to make a movie for the cinema. But every idea they have never comes true, because every time they meet someone to whom they tell their idea, they change their mind, and they want to make a totally different movie, ideas varying from political cinema to Greek historical dramas and modern films with motorcycle gangs. Not a bad attempt for the Greek cinema of the early 80's, which starts to wake up from the hibernation of the 70's.
Testosterone
4.6/10
Peter, the hero, aged 20, finds himself on a deserted Greek island with no other men in sight. The women of the island, regardless of age harass him sexually. What starts off as a typical male sexual fantasy turns out into a nightmare
Ζητείται Επειγόντως Γαμπρός
5.4/10
A mature woman, a widow with a daughter of marrying age, is trying to rebuild her life, but all the men she approaches are interested in her daughter and not herself. After several failed attempts, she eventually manages to find a man of her age.
Love Me Not?
6.2/10
Spying a lissome young woman standing topless on a nearby balcony, Giorgos (Andreas Barcoulis) climbs up onto a nearby rooftop to get a better look. At a critical moment in his climb, his family and friends call out to him and he falls, suffering a terrible blow to the head. Ineed, at the hospital, the family is told that he is brain dead, and that if they like, his heart can be given to someone else as a transplant. Giorgos' grieving wife (Betty Livanou) agrees to this arrangement. The film now follows the recipient of the dead man's heart (Giorgos Constas), as he wanders all over Greece, driven by his newly lusty heart into the arms of many beautiful women. Eventually he is led to the one woman his new heart truly loved, Giorgios' wife.
Twenty Women and I
5.5/10
A bunch of women dominates Kostas Filipou's life. His mother Smaro and his three sisters: married Rika - who wants to take a divorce -, religious Fanouria and Tzela the student. The last two have to get married. There are also the women who work at the women's lingerie business that he runs, many of whom see him as a potential husband, as well as Betty, a colleague deeply in love with him, whose mother pressures her to get married. When Kostas secretly marries Betty, who rents with her mother an apartment above theirs, Smaro decides to find both of them a mate. She suggests to Betty the neighborhood's electrician- but Kostas finds a way to break the match- and to Kostas a young woman from Veroia- but Betty manages to break the match. The revelation of the couple's marriage relieves everyone and the fact that Betty is pregnant brings the desired peace and serenity.
Athens Blues
5.9/10
A group of men in their sixties that spend the August nights in Athens outside a pharmacy during night shift, an ambulance driver who has an affair with a younger girl, a middle-aged couple who have invented a lie to renew their passion for one another, a child pretending to sleepwalk in the streets of Athens, two younger people who are tied together in an office after a burglar attack, and other amorous encounters during the same night.
Αγαπώ Τη Μαμά Σου
5.1/10
The Alceste (Betty Livanos) is a fifty-year woman with two daughters, who still retains the youthful glow of years. The decision to follow her lover to England resulted completely disrupt relations with Mika (Christiana Matzouranis), her great daughter. When Alcestis decides to settle in Greece, wants to make a new beginning with her daughters. But Mika confronts her icily, and never accepted behavior of her mother. A legacy in Galaxidi addressed Alcestis and her daughters, imposing the coexistence of the family. Only that Mika has decided to send a representative to husband, Marino (Haris Romas), a winemaker ... Behind the aggressive attitude of Marino for the charming mother of hiding a strange eroticism to unforeseen development, which causes many comical situations ...
