The best Bernadette Lafont’s drama movies
Today we present the best Bernadette Lafont’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Bernadette Lafont’s movies.
An Impudent Girl
6.9/10
Charlotte is being raised without a mother. She is only 13 but ready to be an adult. She meets an older boy and begins a relationship while teaching a young friend about life and learning the ropes herself.
The Mother and the Whore
7.8/10
Aimless young Alexandre juggles his relationships with his girlfriend, Marie, and a casual lover named Veronika. Marie becomes increasingly jealous of Alexandre's fling with Veronika and as the trio continues their unsustainable affair, the emotional stakes get higher, leading to conflict and unhappiness.
Skylab
6.4/10
It is 1979 and Albertine, 10, and all her family members have gathered in Brittany to celebrate the birthday of her grandmother. Everyone thinks that the Skylab space station from NASA will fall on their heads this summer. The meeting turns into a crazy weekend full of revelations, love and song.
A Gorgeous Girl Like Me
6.5/10
Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He chooses Camille Bliss as his subject of study and begins to visit her in prison for interviews. Camille became acquainted with trouble at a young age and justifies her actions by "fate-bets." She is currently in prison for allegedly murdering one of her lovers. As she tells Stanislas of her life and love affairs, his interest in her grows to more than just professional. Can he resist her charm?
The Thief of Paris
6.9/10
In Paris around 1900, Georges Randal is brought up by his wealthy uncle, who steals his inheritance. Georges hopes to marry his cousin Charlotte, but his uncle arranges for her to marry a rich neighbour. As an act of revenge, Georges steals the fiance's family jewels, and enjoys the experience so much that he embarks upon a life-time of burglary.
Broken English
6.3/10
Nora Wilder (Parker Posey), a single, career woman works at a Manhattan boutique hotel where her excellent skills in guest relations lack in the romantic department. If it is not her loving and dominant mother (Gena Rowlands) attempting to set her up that consistently fail, she has her friend’s (Drea de Matteo) disastrous blind dates to rely on as a backup for further dismay. She's surrounded by friends who are all happily engaged or romantically involved and somehow, love escapes Nora -- until she meets an unusual Frenchman (Melvil Poupaud) who helps her discover life beyond her self-imposed boundaries.
Violette
7.1/10
Paris, 1933. The daughter of a respectable lower middle class couple, Violette Nozière, leads a disreputable double life. Far from being the innocent 18-year-old her parents mistake her for, she spends her nights with dissolute young men in the less salubrious areas of the city.
The Good Girls
7.2/10
Four attractive young women who work together in an appliance store in Paris spend their free time looking for love and fulfilment with little success. High-spirited Jane is picked up by a couple of lechers who are only interested in one thing. Ginette hopes to become a great singer but is forced to perform in a seedy music hall. Rita is engaged to a man who appears more concerned with pleasing his parents than caring about her. Only the reserved Jacqueline seems to have found true romance. But is the mysterious figure on a motorcycle really the man of her dreams?
Attila Marcel
7/10
Paul is a sweet man-child, raised — and smothered — by his two eccentric aunts in Paris since the death of his parents when he was a toddler. Now thirty-three, he still does not speak. Paul's aunts have only one dream for him: to win piano competitions. Although Paul practices dutifully, he remains unfulfilled until he submits to the interventions of his upstairs neighbour. Suitably named after the novelist, Madame Proust offers Paul a concoction that unlocks repressed memories from his childhood and awakens the most delightful of fantasies.
A Very Curious Girl
6.9/10
Treated as an outcast and exploited by the villagers of a small town, a young woman liberates herself through sex, which she uses as a tool of economic gain and an instrument of revenge against those who have wronged her.
À double tour
6.6/10
The mistress of the wealthy Henri Marcoux is murdered and the family accuses the milkman of committing the crime. But Marcoux's daughter's fiancé suspects that she may have been murdered by someone else.
Inspector Lavardin
6.5/10
Inspector Lavardin is called to a provincial village to investigate a murder – only to find that one of his ex-lovers is the victim’s widow.
Le Beau Serge
7.1/10
François returns to his village after a long absence. He finds his friend Serge who has married Yvonne, and has developed an alcohol problem after the death of their stillborn child. Serge has become an angry, bitter figure not unlike the roles of James Dean, refusing to face reality and adulthood and François must help him.
How to Keep the Red Lamp Burning
6.3/10
The film consists of three novels. The film begins with the fact that the Bernard Blier hero removes a lantern from the entrance to a brothel. The second part is about how the lantern and jewelery were stolen from a young baroness. And in the third part the hero of Louis de Funes hangs a lantern at the entrance to his house.
Mes amis, mes amours
5.5/10
Two divorced fathers Mathias and Antoine, decide to raise their children together in London. Their lives consist of Sophie the pretty florist secretly in love with Antoine, Yvonne who runs the 'bistrot français' and has a very maternal outlook on life and Mac Enzie, the boss of Antoine's agency who is completley in love with Yvonne despite the big age difference.
Nor'west
6.7/10
After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god, known as "The Daughter of the Sun."
Unloved
7.2/10
France in the fifties. The teenage orphan Sylvie is put in an institution for "fallen" or endangered girls, subjected to harsh treatment by the bigoted nuns who run the institution like a prison. Sylvie befriends a girl who wants to escape.
Out 1: Spectre
7.2/10
Out 1: Spectre begins as nothing more than scenes from Parisian life; only as time goes by do we realize that there is a plot—perhaps playful, perhaps sinister—that implicates not just the thirteen characters, but maybe everyone, everywhere. Real life may be nothing but an enormous yarn someone somewhere is spinning...
Dog Day
5.8/10
A criminal shows up at a farmhouse with the law on his heels and several million dollars in his possession.
Sex Power
5.9/10
Sex-Power is a sweet bit of candy-colored psychedelic fluff with an astringent dose of agitprop militancy in its chewy center. While most of the film is in English there is occasional French dialog without the benefit of English subtitles, but you hardly need to know French to get the gist of what is happening. This is the tale of a young Frenchman who arrives in Northern California looking to forget a lost love (Jane Birkin) and ends up encountering various forms of feminine power as embodied by Bernadette Lafonte as Salome and Catherine Marshall as “la fille moderne.” The film moves through space and time in an impressionistic, lysergic dreaminess.
